Free A Pleasure to Burn by Ray Bradbury Page B

care!” screamed Lantry, and began choking the man, beating his head with his fists, crouched on the defenseless body. McClure looked up at him with dying eyes.
    The front door opened. Two men came in.
    â€œI say,” said one of them. “What’s going on? A new game?”
    Lantry jumped back and began to run.
    â€œYes, a new game!” said McClure, struggling up. “Catch him and you win!”
    The two men caught Lantry. “We win,” they said.
    â€œLet me go!” Lantry thrashed, hitting them across their faces, bringing blood.
    â€œHold him tight!” cried McClure.
    They held him.
    â€œA rough game, what?” one of them said. “What do we do now ?”
    Â 
    T HE BEETLE HISSED ALONG the shining road. Rain fell out of the sky and a wind ripped at the dark green wet trees. In the beetle, his hands on the half-wheel, McClure was talking. His voice was a susurrant, a whispering, a hypnotic thing. The two other men sat in the backseat. Lantry sat, or rather lay, in the front seat, his head back, his eyes faintly open, the glowing green light of the dash dials showing on his cheeks. His mouth was relaxed. He did not speak.
    McClure talked quietly and logically, about life and moving, about death and not moving, about the sun and the great sun Incinerator, about the emptied tombyard, about hatred and how hate lived and made a clay man live and move, and how illogical it all was, it all was, it all was. One was dead, was dead, was dead, that was all, all, all. One did not try to be otherwise. The car whispered on the moving road. The rain spatted gently on the windshield. The men in the backseat conversed quietly. Where were they going, going? To the Incinerator, of course. Cigarette smoke moved slowly up on the air, curling and tying into itself in grey loops and spirals. One was dead and must accept it.
    Lantry did not move. He was a marionette, the strings cut. There was only a tiny hatred in his heart, in his eyes, like twin coals, feeble, glowing, fading.
    I am Poe, he thought. I am all that is left of Edgar Allan Poe, and I am all that is left of Ambrose Bierce and all that is left of a man named Lovecraft. I am a grey night bat with sharp teeth, and I am a square black monolith monster. I am Osiris and Bal and Set. I am the Necronomicon, the Book of the Dead. I am the house of Usher, falling into flame. I am the Red Death. I am the man mortared into the catacomb with a cask of Amontillado … I am a dancing skeleton. I am a coffin, a shroud, a lightning bolt reflected in an old house window. I am an autumn-empty tree, I am a rapping, flinging shutter. I am a yellowed volume turned by a claw hand. I am an organ played in an attic at midnight. I am a mask, a skull mask behind an oak tree on the last day of October. I am a poison apple bobbling in a water tub for child noses to bump at, for child teeth to snap … I am a black candle lighted before an inverted cross. I am a coffin lid, a sheet with eyes, a footstep on a black stairwell. I am Dunsany and Machen and I am the Legend of Sleepy Hollow. I am The Monkey’s Paw and I am the Phantom Rickshaw. I am the Cat and the Canary, the Gorilla, the Bat. I am the ghost of Hamlet’s father on the castle wall.
    All of these things am I. And now these last things will be burned. While I lived they still lived. While I moved and hated and existed, they still existed. I am all that remembers them. I am all of them that still goes on, and will not go on after tonight. Tonight, all of us, Poe and Bierce and Hamlet’s father, we burn together. They will make a big heap of us and burn us like a bonfire, like things of Guy Fawkes’ Day, gasoline, torchlight, cries and all!
    And what a wailing will we put up. The world will be clean of us, but in our going we shall say, oh what is the world like, clean of fear, where is the dark imagination from the dark time, the thrill and the anticipation, the suspense of old October,