heading to Arizona.
So, she said, it’s a north-south killing spree. That’s a lot different than an east-west killing spree.
What’s the difference?
More killing when you’re moving west. More policemen when you’re moving south. East-west takes a lot more discipline, more preparation. North-south, you just got to have enough passion. Passion is all you need. Do you boys have passion?
Seymour remembered his second wife, how she had fallen in love with her gynecologist and run away to Ames, Iowa, taking all of their children with her, so Seymour had dialed up 411, found his first wife’s phone number, called her up at three in the morning, and had asked her to remarry him now, right now.
You’re crazy, she said, that’s why I never stopped loving you.
Then you’ll marry me? he asked. Again? he asked.
Oh, I love you, she said, her voice breaking apart like glass. Then she said, I shouldn’t have married you the first time, and then she hung up the phone.
It was five after three in the morning, so Seymour ran down the hallway with a twenty-dollar bill in his hand, and slid it beneath the door of the red-headed prostitute who lived in Apartment 7. He didn’t want sex—he wanted redemption—so he ran back to his room, climbed into bed, and cried until the sun rose and slapped him across the eyes.
Do you boys have passion? asked the farmhouse old woman. She placed her wrinkled hand on Seymour’s hand.
Salmon Boy was jealous.
The Indian remembered when he told his cousin she was more beautiful than any white girl he had ever seen. She’d taken off her shirt and bra to show him what she’d been hiding beneath. Small breasts, like birds with opened wings, sat down on her brown chest. He loved her. He thought she was beautiful and young and would grow up to be beautiful and old.
Salmon Boy looked at the old white woman, saw her blue, blue eyes, and wondered if she’d been beautiful when she was a girl. He wondered if she had any Indian blood.
My husband was a soldier, said the old woman. She said, He was a reluctant soldier. He shot a dozen men, a dozen of those Japs, on some island in 1943. He shot twelve of them, shot six of them in the head, four of them in the heart, and two of them in the belly. He shot twelve of them without thinking, didn’t stop to wonder what it meant, but then number thirteen came running over the hill, over the grassy hill.
What color was the grass? asked Seymour.
What do you mean? asked the old woman. She asked, What do you mean what color was the grass? The grass is always green. Don’t you know that? Don’t you know the grass is always green.
But it was a different part of the world, said Seymour, I thought maybe the grass is a different color in a different part of the world.
The grass is green in every part of the world, said the old woman. She said, On Mars, the grass is green.
The grass is green on my reservation, said Salmon Boy. He was telling the truth.
There you go, said the old woman, there you go. Even the Indian knows the grass is green. What’s wrong with you? Didn’t you learn anything when you went to high school? My son went to that same high school and he learned a few things before he disappeared forever. You bet he learned a few things.
But what about your husband? asked Seymour. He was trying to change the subject.
What about my husband? Did you know my husband? He was a hero during the Good War. He was a hero, even though he was a reluctant soldier. He shot twelve Japs, shot them all dead, but there was thirteen of them running, and that last one came over the hill, running through the green grass, and my husband tried to shoot him, but he couldn’t pull the trigger, and that Jap ran a bayonet through my husband’s heart, right through the middle of his heart. And they buried him right there on the beach, right there in the sand.
But I thought, said Seymour. He said, I thought your husband was buried behind the barn.
You’re damn right,
Zak Bagans, Kelly Crigger
L. Sprague de Camp, Fletcher Pratt