Free Jordan's Stormy Banks: A Body Farm Novella by Jefferson Bass Page B

THE GRIMY windows of my office on the second floor of Stadium Hall, gazing through the thicket of steel girders and concrete ramps, I glimpsed the emerald waters of the Tennessee River spooling past downtown Knoxville and the university. Most of the hundred-yard distance between the stadium and the river was covered in asphalt—parking lots and the four lanes of Neyland Drive—and the pavement shimmered in the late-summer afternoon, creating the illusion that the river itself might begin to boil at any moment. The Anthropology Annex, where I needed to go, was a small, freestanding building fifty sweltering yards away.
    When I opened the door and stepped outside, exchanging the stadium’s cool, dark corridors for the sun-soaked outdoors, I felt as if I’d entered a blast furnace. Behind me, bricks radiated the pent-up heat like an oven; ahead, the asphalt lay like a sea of lava, and as I swam across through the heat and humidity, my clothes grew wet with sweat, my shirt plastering itself to my back.
    A half-dozen rusting air conditioners jutted from the corrugated metal walls of the Annex, their compressors chugging full blast— full steam, I caught myself thinking ironically as I tugged open the balky steel door and stepped inside. The air conditioners did manage to lower the humidity a few notches, but they hadn’t made much headway against the heat, and none at all against the smell.
    The Anthropology Department’s main quarters—built by bricking in the wedge of space beneath Neyland Stadium’s grandstands, decades before—weren’t exactly prime real estate; far from it. But Stadium Hall was palatial compared with the Annex. In winter the Annex was an icebox, rattling in the wind; in summer, it was a solar oven, its metal panels creaking and popping in the heat. And no matter the season, it stank inside, for the Annex was where we did the dirty work of processing human remains: simmering and scrubbing; separating flesh from bone; removing life’s lingering vestiges.
    One corner of the processing room was taken up by an industrial-sized sink, which was flanked on one side by an immense steam-jacketed kettle—a cauldron big enough to simmer an entire skeleton—and on the other by a wide counter that ran the length of the wall. The counter was covered with blue surgical pads to absorb moisture from damp, freshly scrubbed bones, and when I entered, Tyler was laying out the last of the bones we’d brought back from the strip mine, neatly arranging them in anatomical order.
    Normally I began my forensic examinations at the skull, but in this case—a case where the questions of age and sex seemed to converge, to entwine, in a pivotal way—I found my eyes drawn first to the pelvis, which confirmed what I’d thought in the field: female, beyond a doubt. The hip bones flared widely, giving them the distinctive shape that always reminded me of elephant ears; the sciatic notches—openings at the base of the sit bones where major nerves emerged from the lower spine—were broad, unlike the narrow notch of a male pelvis; and the pubic bone curved outward and down to create a concavity in her belly and birth canal, making room for babies that this particular female would never have.
    But if her pelvis said “woman,” her mouth whispered a different, sadder word to me: “child.” If she had lived to be my age, the ripe old age of thirty-seven, her maxillary sutures—the seams in the roof of her mouth—would have begun smoothing out and filling in, eventually becoming nearly invisible. But the maxillary sutures in the skull I cradled upside down in my hand were rough and bumpy, the bones barely beginning to fuse. In fact, if I hadn’t known from years of study that the bones were slowly joining, I might have concluded that something had struck the hard palate at its center, creating a cruciform pattern of cracks. But it was her life, not her palate, that had shattered.
    Tyler studied my face as I studied the dead