were needling Casey!
âHeâs very nice, isnât he?â Karen Harding said.
âNice? I never heard anyone call him that before. Heâs big but he doesnât shove little guys around. He goes around grumbling and crabbing and finding fault with this and that, but it doesnât mean a thing. Itâs an act. You know why? Because heâs got a heart that big and he doesnât want anybody to know that âway down deep heâs a sentimentalist or that heâd break a leg for a guy he liked. To hear him tell it youâd think he never had a break. Youâd think he had all his illusions kicked out of him, that he hated his job, and that if he could heâd quit it in a minute. Hah! He wouldnât trade places with Rockefeller. He tried to get in the Army this morning. To fight. He could have had jobs with a couple of those picture magazines. He could have been taking pictures in Australia or Egypt or any place else, only he didnât want that. Well, they turned him down this morning because he had a trick knee. They donât know what theyâre doing, those guys, butâI donât know. Iâm kind of glad they didnât take him. Heâd probably get himself killed the first damned day they gave him an assignment, the big lug.â
Karen Harding sat very still, aware now that Wade was looking at something a long way off and that for the moment he was not conscious of her, nor of the half-eaten sandwich in his hand. What Tom Wade had said was neither very polished nor grammatical, but thinking of what he meant she knew sheâd never heard a nicer tribute.
âYou like him very much, donât you?â she said.
Wade looked at his sandwich. He took a bite. He remembered his first days when he hardly knew the difference between a flashbulb and a spread light. He remembered Casey coaching him and bullying him and covering up for him when he missed assignments and getting him out of jams his own recklessness and stupidity had fashioned. He took a swallow of beer.
âHeâs just the greatest guy in the world, thatâs all. And the best damned photographer.â
He took some more beer and put down the bottle; then he looked at her and seemed to realize that for a few moments he had been a long way off. He grinned, embarrassed.
âI guess I kind of got wound up.â
âIâm glad you did.â
âBut donât ever tell him what I said,â Wade cautioned. âHeâll break my neck.â
âAll right,â Karen Harding said and then, as the silence came between them, she thought of the film in her bag. She glanced at her watch. âCan you develop infrared film?â she asked abruptly.
âSure.â
âCould you develop this?â
Wade looked at the 35 millimeter film. He grinned at her again. It was like asking him if he could brush his teeth.
âYou mean now? Come on. Whatâve you been doing, fooling with blackout bulbs?â
Karen Harding said she had and Wade led her through a doorway, past the dimly lighted printing-room to the row of inky cubbyholes beyond. After that she could hear him doing things but she couldnât see a thing until after the film was in the developer a few minutes and he turned on the dark-red safelight recessed in the wall.
Presently they were in the printing-room and Wade was drying the film in front of a hot air fan. He sounded a little shocked when he saw how much film had been wasted.
âYou only got five exposures here,â he said.
Karen Harding said it didnât matter and watched him adjust the enlarger. Wade made five prints without really looking at the subject matter and she asked him please to make an extra one of the print she had taken of the two men with Henry Byrkman. It wasnât until Wade had taken the six prints from the ferrotype dryer that he realized three of the pictures were of the same subject.
He looked at them closely,