she squeaks.
âI told you youâd think I was weird.â
âI donât, I donât! I just, well, I just hadnât ⦠hadnât thought of â that.â
âLook, itâs this feeling I have. Itâs hard to describe. Itâs like somewhere in the back of my head thereâs a TV on that someone wants me to watch. But I donât want to watch it.â She pauses. âYou know, sometimes it feels like Antoniaâs brother was ⦠was like my practice for this. If you get what I mean?â
âEvie, what are you going to do?â Alex gulps. âI mean, this is, like, serious shit.â
âLetâs see the photos again.â
âThe photos?â Alex gasps. âGod, for a moment I forgot about those.â
As Evie lays the photos out on the desk she is struck by the fundamental difference between herself and Alex. Itâs so simple: Alex could forget, Evie never will.
The image of a human standing behind her seems almost clearer. She traces her finger around the transparent figure. Sheâs certain this being wants to be seen. Like it masterminded the whole thing so it could show itself.
âAlex?â Evie must be careful with this request. âCan I have these photos?â
âWhat? To keep?â
âYes, to keep.â Again Evie concentrates on making her voice sound calm.
âWell, they are mine, you know.â
âI think itâs better if I have them.â
Silence.
âOkay.â
Evie sees the wounded look on Alexâs face, but she cannot risk it. She puts the photos in her school bag, checking the zipper twice.
âI wouldnât have shown them to anyone, Evie.â
âI trust you, Alex, you know that. I just think itâs safer if I look after them.â
The girls sit in silence. Itâs already dark outside. The dread Evie felt yesterday starts to settle in her guts. And somewhere deeper than Evie has ever dared go she begins to understand that the dread will sit there until itâs dealt with.
âHave you ever done one of those séances?â asks Alex.
âWhat, with a ouija board?â
âA what board?â
âA ouija board or some people call it a talking board, I think.â
âWhat on earth is that?â
âYouâve never heard of them?â
âNever,â says Alex. âYou know Iâve led a sheltered life.â
âPull the other one.â
âSo what do they do?â
âThey help you communicate with the spirit world. They have letters and numbers around them and the spirits spell things out.â
âIs that how a séance works?â
âI think so,â Evie says. âIâve never done one before. I know mygrandmother used to have a ouija board. I have a really vague memory of it. It was wooden with Egyptian drawings on it.â
âWhat happened to it?â
âMy mum probably burnt it when Grandma died.â
âYour mum hated her, didnât she?â
Â
A memory of Evieâs grandmaâs house flashes through her mind. Itâs so vivid, almost like sheâs there. She can smell her grandmaâs rose perfume.
Evie is with her parents. Her grandma has been dead almost a week. They are going to sort through her belongings. Her father is quiet. Her mother is business-like. Evie wanders into her grandmaâs bedroom. Itâs the same as always: the blue bedspread is neat and smooth and the photo frames sit in the same position on her bedside table. Evie picks up her favourite one of her father as a little boy. His cheeks look round and soft. He is in his motherâs arms and she is laughing and pressing her face against his.
Her parents go into the spare room. Her grandma called it Evieâs room. She slept there when she stayed over. Her grandma made a Snow White bedspread especially for her. She can hear her mother: âWell, that bangleâs all sheâs
Tamara Thorne, Alistair Cross