wonder if Kebsieâs in trouble. Maybe sheâs trying to tell me something. Maybe âneatoâ is a secret code word. Maybe sheâs really trying to say, Help! Iâm being abducted by evil Soviet spies who are forcing me to tell national secrets! But something lumpy inside me knows this is wishful thinking. There are no signs of worry or trouble in this note, and Kebsie doesnât know any national secrets.
This is a letter from someone whoâs too busy to write because she is probably walking around her new neighborhood using the word neato .
All this time, I thought I was something special. I guess I was just someone to hang out with while Kebsie Grobser lived on Ramble Street. I was nothing to her.
Thereâs no name for the feeling inside of me. The emptiness I got from missing Kebsie seems like good times compared to this new feeling.
I rip up the letter and promise myself that Iâll never, ever write to her again.
Chapter Eighteen
The War Comes Home to Ramble Street
T HE NEXT DAY, my own team pulls a fast one on me.
Weâre lined up at home plate when MaryBeth Grabowsky drops a bombshell. âJanie Lee and I were talking about it last night. We think it would be a nice thing to give Muscle Man another chance to kick.â
Janie Lee jumps up and down in agreement.
âIâd be okay with that,â says John Marcos, and MaryBeth smiles.
âBut itâs our turn. Weâre up. He shouldnât be up until he earns it,â I protest.
âThe score is 43 to nothing. What harm would it do?â asks Big Danny.
Harm? What harm? It would change the rules of kickball. Rules that we live by and think are important. What if we changed other rules? The entire game would be different. What if, instead of running to first base, we ran to third? Or maybe itâs ten strikes and youâre out. Where does it end?
âThis is wrong.â I stare at the pitcherâs mound, where Muscle Man is patiently waiting.
The team puts it to a vote. I am outvoted.
It looks like Iâll have to strike Muscle Man out all over again.
John Marcos signals for me to pitch a slow ball.
I answer with my fastest pitch.
âAre you gonna call it?â I ask him. âWhat strike is this?â
John Marcos throws the ball back at me. âCall your own strikes.â
And thatâs what I do. âSteee-rike one,â I say in my best umpireâs voice.
âHold on a sec, Tammy. Iâm not warmed up.â Muscle Man drops to the ground and begins doing push-ups. He then moves into a weird combination of jumping jacks and deep knee bends.
Jeez. The kid thinks heâs a junior version of Jack LaLanne.
âWhenever youâre ready, Jack.â I smirk.
Muscle Man kicks at the air a few times. Finally, he gives me a nod. And I throw the ball.
My next pitch is exactly the same as the first one.
Even though heâs seen this pitch before, Muscle Man kicks way too soon. His foot sticks out in front of him, and he holds it there while the ball rolls over home plate.
I look at John Marcos to see if heâs going to call this one. When he doesnât, I shout, âSteee-rike two.â
John Marcos picks up the ball, slow and with one hand, and tosses it back in a lazy way. The ball stops midway between the pitcherâs mound and home base.
Muscle Man himself has to run after it. âYour pitching is really good today, Tammy,â he says as he tosses me the ball.
âStill think you can beat us all?â I ask, to remind my team exactly why weâre doing this.
Muscle Man doesnât answer. Heâs too busy looking at something way in the outfield. Ready or not, I throw my next pitch.
He doesnât even try to kick. For a second, I think the moment Iâve been waiting for is finally here. âDo you give up?â I shout, but Muscle Man only stares past me. John Marcos stands alongside him, and the ball drifts over toward the
Erin Kelly, Chris Chibnall
Jack Kilborn and Blake Crouch