within five minutes. But why the hurry?
âYouâre right,â she said quietly. âSomething is very wrong and I feel very guilty that it took you to point it out.â
Sam strolled across the reception area and stood next to her. âJust one of the advantages of having an injection of fresh blood in the practice.â
âDonât.â She glanced up at him, her expression troubled. For once she wasnât in the mood to argue with him. âIt worries me that I didnât notice.â
âWhy should you have noticed? Youâre not superwoman.â He lifted a hand and brushed a strand of dark hair away from her face. The gesture was so unexpected that she jumped as though sheâd received an electric shock.
âJust because weâve managed to be civil to each other for the past half an hour, donât think you can take liberties, McKenna.â Thoroughly unsettled by the sudden wild increase in her pulse rate, she glared at him and he glared back.
âJust clearing your vision, Riggs. You need a haircut or youâre going to trip on the stairs.â
She resisted the temptation to lift a hand to her hair. She always wore her hair long and he knew it.
âYou know, it would make for riveting television if you let us film the two of you working together for the whole series.â The voice of Polly came from behind them and they both turned. âThereâs a tremendous chemistry between you. The room just pulses with energy whenever youâre together. And the best thing is that you two donât even seem aware of it.â
Chemistry?
Anna gaped at her. âThe sort of chemistry that causes an explosion,â she muttered darkly, and Sam grinned.
âI donât think our Anna sees herself as a film star, Polly.â
The producer looked thoughtful. âWell, a lot ofpeople are resistant to the thought of being filmed but once they get used to it they usually find they forget about the cameras and just get on with the job. Thatâs one of the reasons that these fly-on-the-wall documentaries are so successful. The viewers feel as though theyâre genuinely part of whatâs going on.â The producer tipped her head on one side and narrowed her eyes. âEven without looking at what we just filmed, I can tell that youâre going to look fabulous on camera. Gorgeous.â
Anna glared at both of them. âI do not want to be filmed.â
âFine by me.â Sam suppressed a yawn. âPersonally I think it would be pretty hard to find your good side anyway.â
The smooth working relationship was gone. Back was the constant needling.
âYou are unbelievably shallow.â
Polly glanced between them and grinned. âIf youâre both willing to suspend hostilities, the sandwiches are looking particularly tempting.â
âYeah, weâre ready.â Sam strolled across the reception area and made for the stairs that led to the staffroom.
Aware that the producer was still staring at them in fascination, Anna followed more self-consciously.
Chemistry.
It was utterly ridiculous to suggest that she and Sam shared any sort of chemistry. And as for looking good on the cameraâthe whole idea was totally ridiculous.
âIt would be great if we could incorporate more of your accident and emergency skills, Sam,â Polly was saying as Anna grabbed a cup of coffee and took her seat at the table. âI know we need the routine stuff, too, but a bit of that does get the adrenaline pumping.â
âWhat accident and emergency skills?â Anna helped herself to a sandwich. âSince when did you have accident and emergency skills?â Then she remembered the calm, competent way heâd reacted to the crisis downstairs and something clicked in her brain. âWhat jobs have you been doing in London, McKenna?â
Polly smiled. âWhen heâs not doing his usual surgery and working for us,