Free The Dollhouse by Fiona Davis Page B

microphone, “but stick with me for now, all right?”
    The audience gave an interested grumble. Then Esme began to sing. Her voice was edgy and low and at first Darby strained to hear, worriedthat Esme wouldn’t be able to fill the space. But after a crescendo at the end of the second verse, she let it rip and her voice soared out.
    Esme had a smooth, sexual presence onstage, her hips moving in time with the music, and her shoulders responding a moment behind the beat, in a slinky, slippery motion. When she finished, the crowd clapped and whistled. Darby hoped she’d sing more, but a movement at the front door caught her eye. A man sauntered through the tables, shaking hands and nodding. Stick had arrived. Esme quickly jumped off the stage and slid back into her seat.
    â€œYou’re so talented, Esme,” said Darby. “You can really sing.”
    â€œWait until you hear this. My singing is nothing compared to this guy’s playing.”
    A few moments later a waiter came over with a couple of drinks. “From the gentleman over there.” He pointed to a man sitting alone two tables away, his table an isolated island in the middle of a sea of people pontificating and gesticulating wildly, cigarettes in hand.
    Darby took a sip of her drink. A martini. She’d never had one before, and only knew it from the shape of the glass.
    â€œDon’t do that.” Esme grabbed the drink from her hands, spilling some on the floor.
    Darby was too surprised to speak.
    â€œTrust me, you don’t want to take anything from that guy.”
    â€œWhy?” She stole a glance in his direction. He watched them, an amused expression on his pockmarked face. His eyes were enormous, like a basset hound’s, with dark bags underneath. She’d never been sent a drink before and was unsure of the protocol.
    â€œHe’s an undercover cop. Named Quigley. He’s always sniffing around, trying to find out what’s going on.”
    â€œIs something going on?”
    â€œOf course not. It’s folks drinking and listening to music. What harm is there in that?”
    â€œThen why is he here?”
    â€œThe cops are all over the jazz clubs, looking for horse. If you take adrink from him, he’ll think you’re willing to talk, and all the musicians will hate you.”
    Darby didn’t understand what she meant. “Looking for a horse?”
    â€œNo,
chica
. Heroin.”
    â€œOh.”
    â€œA lot of the musicians say that it’s the only way to channel the music. If it worked for Bird, they want to do it, too.”
    The names were like a secret code. “Who’s Bird?”
    â€œCharlie Parker, alto sax player. Got the nickname when he made his band stop a car on the way to a gig so he could chase a chicken. Ate it for dinner that night.”
    â€œHave you ever done horse?”
    Esme looked at Darby as if she were crazy. “Are you kidding? I have bigger things in my life than dozing off.”
    â€œThen how does it help the musicians?”
    â€œIt makes them more creative, gives them ideas while they solo, I guess.”
    Darby looked over at the policeman again. “Does everyone know that he’s a cop?”
    â€œSure. It’s a game we all play. We pretend not to know; he pretends that we don’t know. My guess is he just likes the music. But you don’t want to encourage him.”
    Stick sat on the piano bench and counted off the beat. He wore a scraggly beard and a shiny black suit. While the other musicians played, he rocked back and forth for a minute, then got up and started to dance a kind of jig, one hand on the top of the piano. Finally, he dashed back to the bench, and his hands slid across the keyboard, barely touching the notes, while his loafered feet tapped out a beat of their own on the floor. The sounds were strange and haunting. Fast, furious playing that sometimes sounded wonderful, and at other times