an episode where nothing happens. Even when nothing appears to be happening, it isnât really. It isnât really nothing. Thereâs always something to it, itâs always interesting in some sort of way, or itâs to tell you something about somebody, or it leads to something thatâll happen later.
âWell, of course something happens,â said Paula. âSomething has to happen or nobody would watch it. Whoâd want to watch something where nothing happens?â But that wasnât his point.
His point was that it was unrealistic. These programmes try to be realistic, things like
Coronation Street
or
EastEnders
, they try to be real, but theyâre not. He wasnât saying they were utterly unrealistic, they didnât have aliens or laser cannons or anything like that, but they just werenât like real life. Not really. In real life, not a lot happens. Or, at least, when interesting things do happen, they donât happen every single day. You get the odd interesting day, then you donât, sometimes for a good while. Sometimes fuck all happens for days on end. There had been times in his life when fuck all happened for weeks.
âWhatâs your point?â said Paula.
He just thought it would be funny, and more realistic, if they had an episode of
Coronation Street
or
EastEnders
where fuck all happened. Fuck all interesting. Just nothing notable at all. Like, imagine if they had a few minutes of somebody putting their clothes in the washing machine. They donât accidentally put a red sock in with the whites or wash something thatâs dry clean only, they just put their clothes in the washing machine for however long that takes. Then imagine it cut to another character in a shop, thinking of what to get for dinner, picking tins of stuff off the shelves, having a wee look at the label, then putting them back. And itâs not like you get to see what theyâre reading on the labels, itâs not like theyâre reading the nutritional information and you see that the thing is high in sugar then that thing is given to a diabetic then thereâs a mad rush to the hospital. In fact, maybe you just see them go into a shop, but you donât get to go inside and watch, the camera just waits outside, like a dog, until the person comes out ten minutes later. Or maybeâ
âJohnny, see seriously, gonnae fucking shut up?â said Paula, shaking her head. The shite he talked.
Johnny laughed, then shut up.
For a minute.
âLike, imagine something like this,â he said, looking at the two of them on the couch.
âFuckâs sake,â said Paula. âLike what?â
âLike this,â he said. âLike us.â
Johnny pointed out that this was real life, this right here, what they were doing right now. Johnny and Paula, right there on the couch, doing nothing, watching the telly, not saying a word to each other for almost half an hour, then having a wee argument. This was real life, this was realistic. Johnny thought somebody should write something like this, and stick it in on the telly, or in a film. Or in a book.
âWhoâd want to read this?â laughed Paula, flicking through the channels to see what else was on.
âI would,â said Johnny. âA story about nothing. I really like the sound of that.â
Paula said it sounded shite. Johnny said it didnât. Heâd love to read something like that, a wee story about nothing. Somebody should do that, he said. Paula said nobody would do that because nobody would buy it. Something would have to happen otherwise they wouldnât even print the thing, they wouldnât make it. Try asking a bookshop to put your book on the shelves after telling them nothing happens in it, nothing interesting, like, seriously, nothing at all.
Johnny hoped that somebody would do it, somebody would write it. Theyâd probably get told by the publisher to put some big ending