rather feared it might be like that.â Honeybath had abandoned his palette. âWhat about that Mrs Plover? I had a notion she might rally round once Melissa had departed. Itâs only about Melissa she makes really dark remarks.â
âAnd I donât blame her.â Prout offered this unbrotherly sentiment gloomily. âI got on to Mrs Plover, and she went in once or twice. But the other woman offended her.â
âThe other woman?â There was astonishment in Honeybathâs voice. âYou donât mean to say that Edwin has set up with a mistress?â
âNot exactly that. An occasional professional visitor, you might say. But it seems she and Mrs Plover happened to collide. Twice, I believe. And, to quote Mrs Plover, words passed.â
âItâs not seemly â not at Edwinâs age.â Honeybath was genuinely dismayed by this fresh evidence of disorderly living on the part of his old friend.
âHe can afford it. Edwin could afford a seraglio, if he had a mind to it.â
âWell, thatâs something. It had occurred to me to wonder whether he and Melissa were a bit hard up. Investments gone to pot, or something like that.â
âNot a bit of it. Itâs having money that has always been Edwinâs trouble, not lacking it. Iâve told you that before, Charles. It seduced him from honest labour when he was at the top of his form. And now, if he did lose his private income, it wouldnât be possible to sell his pictures to seaside hotels.â This dire verdict came from Prout with dark conviction. âAs for that studio, the public health people are likely to be on about it at any time. It stinks.â
âGood heavens!â
âHalf-empty cans of beer and half-empty bottles of milk. And the remains of kippers and potted shrimps.â Prout shook his head. âUnbelievable, isnât it? There was always something of the epicure about Edwin. He must suffer atrociously. And he could afford to dine where he chose every night of the week! Do you think he can have gone agoraphobic?â
âNo, I donât. Iâd suppose him simply to be dispirited and out of sorts.â Honeybath judged it sensible to discount extravagant interpretations of his friendâs disarray. âPerhaps being alone in Italy wasnât a success. When he is alone, by the way, do you think he goes in for that freakish nonsense of being somebody else? It was a burglar, you remember, at the time of his bust-up with Melissa.â
âEdwin has gone up in the world since then. The last time I saw him, he had draped himself in a sheet and was declaring he was Praxiteles. Or it may have been Zeuxis. I forget.â
âZeuxis seems the more probable.â Honeybath divested himself of the smock which he affected when painting. âAt least it isnât madness, his putting on those turns. It amused him when he was a student.â
âThat he once did it when sane doesnât mean that he doesnât now do it when dotty.â Prout seemed determined to take the darkest view of his brother-in-lawâs condition. âI just donât know what we can do.â
âWe can go and see him now,â Honeybath said. âBoth of us. Iâll call a cab.â
This brisk resolution, had Prout known it, was the product of an unflattering estimate of his reliability as a witness which Honeybath had formed of him long ago. Indeed, Honeybath didnât really care for Prout any more than he did for his irritating sister. Prout, so far as he knew, was tolerably honest in his business dealings, but he tended to see both persons and situations reflected in the somewhat distorting mirror of his own self-interest. He might well be representing Lightfootâs condition as more hopeless than it was merely because the painter was no longer among his more profitable clients. Didnât he always come back to Edwinâs idleness, or