gathered his things, then on the way out offered one last piece of advice: âStore it in a cool, dark place, Frank.â
âSounds like youâre talking about Harlem,â he said, with another brief smile, and let the kid out.
Then Frank drew all the blinds and set himself down in his Eames chair, put his feet up and did his mulling, meditative thing. He needed a whole new way of doing things and probably a whole new crew and he had to think it through. . . .
8. OD
At the morgue, an assistant medical examiner pulled open a cadaver drawer for Richie Roberts to confirm an ID. The detective whoâd called him down was an old friend of both Richie and his ex-partner Javy, who was the corpse in question.
Even knowing Javy had been using didnât prepare Richie for the wealth of scabs and tracks on not just his arms but the stomach, legs and toes of the longtime addict his ex-partner had become.
The detective, Jacobs, asked, âYou know his girlfriend, Rich? Good-looker. Started out as one of his informants, and then he moved in with her.â
Richie said, âBeth. Her name was Beth. Donât remember her last name.â
The heavy-set figure in white that was the assistant medical examiner slid open another cadaver drawer, as matter of fact as an office worker at a file cabinet.
âThatâs her,â Richie said, staring down at the skinny, once-attractive body with its own array of needle marks.
âShouldâve seen their pad,â Detective Jacobs said. âLike a buncha animals lived there.â
âIâve seen it,â Richie said. âWasnât so bad, once.â
âWell, trust me, you donât wanna drop by now.â Then the detective said to the assistant ME, âPicked a good night for it, huh? Grand Central in here.â
âItâs been like this every night, lately,â the ME said with a fatalistic shrug. âIâm lucky if I get home before midnight. Lot of careless people in the world.â
âLess now,â Jacobs pointed out.
Richie took a look at the small pile of personal effects on the chest of his ex-partnerâs cold corpse: a few crumpled dollars, car keys and a half-empty package of what appeared to be heroin in blue cellophane.
âThis needs to go into evidence,â Richie said, and took the bag.
The assistant ME filed Javy away, and on his way out with the detective, Richie held up the bag and asked, âThis tell you anything? Blue cellophane?â
âThatâs the junkieâs current brand of choice, my friendâBlue Magic. Stronger stuff than usual. May be why weâre having such a carnival of ODs, lately.â
Richie offered the bag to the detective. âYou should take this. Itâs your evidence.â
âEvidence of what? Javy Rivera being a first-class idiot?â
âHe was a good cop, once upon a time.â
The detective grunted. âThat fairy tale is over.â
In the lounge of the small police gym where Richie liked to work out, a television was going, though nobody was watching it right now. He found himself trying to listen, as he lifted weights in sweats and tennies, though the report wasnât telling him anything he didnât already know.
â
Since 1965,
â a typically authoritative baritone intoned, â
law enforcement has watched the steady increase of heroin addiction, no longer exclusive to big city neighborhoods, and along with it a rise in violent crime. Now unaccountably, it has exploded, reaching into cities as a wholeâour suburbs and townsâour schools.â
Only a few other cops were working out, many of them overweight types whoâd been sent here âor else,â but whether fit or fat, the cops had one thing in common: none of them wanted a damn thing to do with Richie. Sometimes theyâd even walk in, see him and walk out.
â
Someone is finally saying enough is enough,
â the narrator