screen is bright and running a program that amounts to lines of dark text on a white background. When I was younger, I used to volunteer at the school in the computer labs, maintaining the facilities, and sometimes even fixing the computers themselves when they failed. I worked under the supervision of an Erudite woman named Katherine, and she taught me far more than she had to, happy to share her knowledge with someone who was willing to listen. So I know, looking at that code, what kind of program I’m looking at, though I would never be able to do much with it.
“A simulation?” I say.
“The less you know, the better,” he says. “Sit down.”
I sit, leaning back in the chair and setting my arms on the armrests. Amar prepares a syringe, holding it up to the light to make sure the vial is locked in place. He sticks the needle into my neck without warning and presses down on the plunger. I flinch.
“Let’s see which of your four fears comes up first,” he says. “You know, I’m getting kind of bored of them, you might try to show me something new.”
“I’ll work on it,” I say.
The simulation swallows me.
I am sitting on the hard wooden bench at an Abnegation kitchen table, an empty plate in front of me. All the shades are drawn over the windows, so the only light comes from the bulb dangling over the table, its filament glowing orange. I stare at the dark fabric covering my knee. Why am I wearing black instead of gray?
When I lift my head, he—Marcus—is across from me. For a split second, he’s just like the man I saw across the Choosing Ceremony hall not long ago, his eyes dark blue to match mine, his mouth pressed into a frown.
I’m wearing black because I’m Dauntless now , I remind myself. So why am I in an Abnegation house, sitting across from my father?
I see the outline of the lightbulb reflected in my empty plate. This must be a simulation , I think.
Then the light above us flickers, and he turns into the man I always see in my fear landscape, a twisted monster with pits for eyes and a wide, empty mouth. He lunges across the table with both hands outstretched, and instead of fingernails he has razor blades embedded in his fingertips.
He swipes at me, and I lurch back, falling off the bench. I scramble on the floor for my balance, then run into the living room. There is another Marcus there, reaching for me from the wall. I search for the front door, but someone has sealed it with cinder blocks, trapping me.
Gasping, I sprint up the stairs. At the top I trip, and sprawl on the wooden floor in the hallway. A Marcus opens the closet door from the inside; another one walks out of my parents’ bedroom; yet another one claws across the floor from the bathroom. I shrink back against the wall. The house is dark. There are no windows.
This place is full of him.
Suddenly one of the Marcuses is right in front of me, pressing me to the wall with both hands around my throat. Another one drags his fingernails down my arms, provoking a stinging pain that brings tears to my eyes.
I am paralyzed, panicking.
I swallow air. I can’t scream. I feel pain and my pounding heart and I kick as hard as I can, hitting only air. The Marcus with his hands around my throat shoves me up the wall, so my toes drag along the floor. My limbs are limp, like a rag doll’s. I can’t move.
This place, this place is full of him. It’s not real , I realize. It’s a simulation. It’s just like the fear landscape.
There are more Marcuses now, waiting below me with their hands outstretched, so I’m staring down at a sea of blades. Their fingers clutch at my legs, cutting me, and I feel a hot trail down the side of my neck as the Marcus who is choking me digs in harder.
Simulation , I remind myself. I try to send life into every one of my limbs. I imagine my blood on fire, racing through me. I slap my hand against the wall, searching for a weapon. One of the Marcuses reaches up, his fingers poised over my eyes. I