Free East by Edith Pattou Page B

unafraid.
Must remember.
Conditions, rules.
So long ago.
Playing.
A ball.
A voice like rocks.
Then...
Body split, stretched.
Pain. And...
All changed, in a moment.
Lost.
But now...
Hope.

Rose
    W HEN I AWOKE , my head was heavy. But I knew where I was right away. At home, even in summer, there would be a cold tang to the air in the morning, and the mattress I slept on with my sister was not covered in velvet and overstuffed with down.
    I sat up, stretching, and saw that the table had been cleared while I slept, except for a covered basket, a crock of butter beside it, and a large white teapot. Steam was rising from the pot's spout. My stomach growled and I realized I was ravenous again.
    I stood and made my way to the table. I lifted the white cloth and breathed in the aroma of cinnamon and hot dough. Breaking off a piece of bread, I slathered it with butter and shoved it into my mouth. We hadn't been able to afford butter in a very long time, and I closed my eyes in sheer delight. I then drank a cup of what turned out to be a sweet, fragrant tea, exotic and fruity, like none I'd had before.
    As I stuffed myself with bread and butter, I wondered where the food had come from. Was there a kitchen with a bustling staff of servants? Or was the food the result of an enchantment?
    My stomach full, I got up from the table and set off to explore.
    I thought of the white bear and felt uneasy, fearing that he might spring out at me from inside a room or around a corner. But there was no sign of him.
    I started down a hall with a vaulted ceiling. The walls were a light polished stone, and sconces holding oil lamps were placed at regular intervals. In between the lamps were large paintings and tapestries. The tapestries in particular drew my eyes; they were done in vivid hues of reds and blues, and depicted lords and ladies in old-fashioned courtly garb. The handiwork was exquisite.
    I came to an open doorway and peered in. It was a drawing room, and it, too, was filled with paintings and tapestries. There was a lush deep-green carpet and various pieces of overstuffed furniture. As in the hallway, light was provided by oil lamps, both on the walls and set on tables. I picked up one of the handheld lamps and took it with me in case there were places not so well lit.
    I continued my exploration. The next room I came to was also furnished with tapestries, rugs, and overstuffed furniture, as well as shelves of books lining the walls. The library, I thought. But I was wrong. Many of the rooms turned out to have books. Finally I came to one that could not be mistaken for anything but a library. No tapestries there—every inch of the walls was covered with shelving, from floor to ceiling. It took my breath away. In Njord the only places I knew to have so many books were the monasteries. If only Neddy could see this, I thought, but I quickly brushed the thought away. I wouldn't think about Neddy now.
    In addition to the many books I found in the rooms I explored, I also noticed something else that was plentiful. Whoever had decorated this place clearly had a love of music. There was a musical instrument in almost every room.
    Then I came to a large room that was devoted entirely to music, as the library was devoted to books. It was breathtaking. In the center of the room stood an enormous grand piano, beautifully painted and carved. And in a large ornate cabinet was an astonishing collection of pipes and flautos that appeared to have come from all over the world. There was a lacquered bamboo flauto in the shape of a dragon that looked to be from the Far East, and there were pipes made of ivory, reed, and soapstone. Some were elaborately carved, some had double pipes, but there was one flauto that was clearly favored. Displayed in a beautiful box lined with blue velvet, it wasn't fancy like some of the others but had a simple, classic beauty.
    There were sheaves of sheet music tied up with ribbon, and there were chairs lining the sides of the