says, wiping her lips with the back of her hand. Lately she has been drinking a local chouchenn , a honey wine, in the evenings, made by the beekeepers who have a stall at the market.
âProbably a good idea.â The woman nods. âSome of the people I met could have done with drinking a little less tequila.â
âWhat took you to Mexico?â
âWork. An artist. I have a gallery,â she says, tapping cigarette ash into a saucer. âHe does very large-scale sculptures.â She looks into the distance. âTheyâre beautiful pieces. He uses a lot of collected material and the colours are very vivid. His village is so small itâs barely there. They make tequila, thatâs about it. Now, though, a lot of them are helping him with his art. Itâs changed the place. Iâve only been twice, but the difference â¦â She breaks out of her stare to glance at Juliette. Her voice is soft and deep, affected by the smoking, but not raspy. Buried in her accent, something about the way she makes vowel sounds, reminds Juliette a little of her motherâs voice. Her mother, who had laughed so easily and charmed everyone in Douarnenez despite her dreadful French.
âItâs really quiet here. New York is never like this. Thereâs always noise.â
âParis is like that too. Iâm from here but I lived in Paris,â Juliette says. Juliette thinks of the apartment near Rue de Mouffetard with windows that open out to the street and the constant noise â day and night. Pigeons arguing, lovers drunk and shouting, motorbikes, laughter, high-heeled footfalls, delicate autumn rain. Someone else lives there now.
The woman is still. âDid it take you a while to get used to â¦â
Juliette notices the tinge of fear in her voice. âIt can feel lonely at first,â she replies. The woman nods slowly. She is not just a beautiful woman, she is a girl too. With fears barely below the surface. Juliette understands why Max is in love with her.
âIâm Juliette. I work for Max.â
âIâm Helen.â
Juliette takes the hand Helen extends, as she is now used to doing, and finds it to be cold and smooth, not unlike the satin of an oyster shell, not unlike Jean-Paulâs skin had been, in his softest places.
âJuliette,â Helen says, softly. âMax has told me all about you ⦠Was I the last to arrive?â
âYes. I can make you something to eat, if you like. Youâve come from New York?â
Helen straightens and stretches. âYes, I hired a car at Charles de Gaulle. But no, donât make me anything, Iâm not hungry. I ate on the plane.â She picks up the tequila and drinks from the neck, not spluttering as Juliette had.
âDid the rest of them treat you well?â
âOh, yes ââ
âEven Hugo?â Helen raises one eyebrow.
âYes,â Juliette says, politely. âEveryone is very nice.â
Helen grins, crossover teeth showing. âThey are, arenât they? I wish Iâd got here earlier. We havenât been together like this for a long time. Maybe Rosie and Hugoâs wedding ⦠No, it canât be that long. Max got most of us to Paris for the Disque dâor award but I think Rosie was pregnant with Patrick â¦â
Helenâs soft, rolling voice is soothing. Juliette stifles a yawn.
âSorry, I â¦â
âNo, I should go to bed too. Iâve got to pick up my sister tomorrow morning. And you must be exhausted.â
âIt has been a long day,â Juliette admits.
âWhere am I sleeping?â
âBedroom right at the end of the hallway upstairs, past the bathrooms. Sophie is down that end too, in the studio.â
âOh, dear little Sophie, how old is she now?â
âFifteen, I believe.â
âFifteen â¦â Helen says, drawing breath. âHow did that happen?â She stands up. âThanks