didnât know she was a stripper, who walked through the house in boxers, burpingâevery lesbianâs fear of living with a straight woman. When she moved out Michelle took her room, the best room, and found sequins from her costumes embedded in the floorboards. Michelle filled the house with a series of transient queer girls. Lara was a jolly Brit who made giant puppets and sponge-painted her bedroom so it looked like a coffee-house bathroom. She had violent fights with everyone who lived there, so eventually she left. Tia the MC and DJ who brought with her a teenage runaway girlfriend who tied up their phone line and left glass beer bottles in the shower. Ellis from Texas, who Michelle had had such a crushon, but then, seeing her with her back thrown out in bed all the time, stoned on weed, asking housemates to bring her bowls of ramen, the infatuation died. Michael, who had just gotten sober and started meditating and was always mad at everyone for smoking crystal meth in the kitchen. Karen, whose mother paid her rent. Stacy, who was totally on heroin, but, as Michelle hadnât yet met heroin, she believed the girl was simply on pills when she passed out with an ashtray of lit cigarettes on her belly, on the couch, in front of the television set. Stacy had a psychotic break on speed and, thinking there were miniature policemen shining red lights at her, wound up locked in someoneâs closet in a Tenderloin SRO, her parents came from South Carolina and took her to a Christian rehab. Michelle had been there forever. Michelle had moved Stitch in and now Stitch was going to go and paint the living room, defend it, and then freak out at the sight of heroin implements scattered across Michelleâs desk. The truncated pen, the burned-bottomed spoon with a tangy ring of drug stuck to its curve. The little balloon the drugs had come in, one and ones, one bag of dope and another of yellowy cocaine so horrible not even Michelle would do it, both of them twisted up in bits of cellophane from a cigarette-pack wrapper.
What the fuck? Stitch had followed stomping, pouting Michelle down the hall and into her bedroom, to be shocked at the tableau. What are you doing? Youâre doing heroin?
Iâm Not âDoing It,â Michelle said in a voice that perhaps a teenager would use with its mother, I Did It. Once. And I Didnât Shoot It. Michelle was annoyed to have her drug intake policed by Stitch, of all people. Stitch, who she had once spied making a purchase from the Coco, Chiva, Outfits man. Stitch, who Michelle had followed home andfound fuming on the front steps, having learned the Coco, Chiva, Outfits man had sold her but a crumble of peppermint candy and not an amber nub of chiva. Stitch had tried to convince her to walk back to Sixteenth and Mission and make the Coca, Chiva, Outfits guy give her her money back, which even Michelle, at that naive moment in her urban education, knew was ridiculous. This was who was going to police her drug use? Stitch who had once knocked on Michelleâs door and asked, Hey, will you check on me every so often to make sure I donât die? Sure, Michelle had said awkwardly, not bothering to ask why her new roommate thought she might die, knowing it had something to do with drugs. Stitch, who had once shot ecstasy in the closet, then fucked her best friendâs girlfriend, then crawled into bed with Michelle to cuddle because the drug had made her cold. You Shot Ecstasy? Michelle had asked, incredulous. Who Shoots Ecstasy? It works faster , Stitch had chattered. How impatient, Michelle had thought. This was the person monitoring her drug ingestion?
Okay fine, fine, Iâm sorry, okay? Stitch had her hands in the air like it was a stickup. Michelle, in her foul and sickened mood, decided she would punish Stitch for the rest of the night. Everything was stupid. The heroin, that trickster, had made her feel actual love and then ripped it away, leaving her serotonin