and ripped fishnets and combat boots and tank top. Her bangs perfectly straight, hair braided into Princess Leia coils around her ears. Sheâs laughing at me, and Iâm gripped with irrational panic, like sheâs caught me doing something wrong.
âMaking social calls?â she asks me, eyebrows arched. âI hope youâve got a calling card. Thereâs nobody here.â
âWhat do you mean?â I ask, staring back into the depths of the stairwell.
âI mean, thereâs Fatima Blavatskyâs. But the rest of the buildingâs empty.â
Her smile is getting mischievous, mainly by seeming to take over one side of her mouth more than the other. She shifts the grocery bag sheâs carrying onto her hip, cocking a combat boot out in defiance.
âEmpty? Are you sure?â It comes out more suspicious than I mean. But I canât tell if sheâs just trying to mess with my head. I mean, I
saw
Annie go inside.
âOh yeah,â she says. âIâm sure.â
Empty? So where did Annie go, if it was empty? If she wanted to brush me off, she could have just said no. I hear no from girls all the time. More often than not. My ex-girlfriend could say no like it was going out of style. Why would Annie pretend to like me if she didnât?
âHow do you know?â I ask.
Maddie sighs and puts the grocery bag down at her feet, stretching her arms overhead. I can hear her spine pop when she stretches.
âI know,â she says patiently, âbecause I was squatting here until three weeks ago. Then they came through and cleared everybody out.â
âYou were . . . What?â Iâm confused. She seems kind of young to not have anywhere to live.
Maddie shakes her head, dismayed by how dense I am. âSquatting. I told you. Come on. Iâll let you carry the bag, and then if youâre really nice, you can buy me breakfast.â
âButââ I start to protest.
Maddieâs already picked up her grocery bag, which upon closer inspection mostly contains takeout boxes and spotted fruit, and started walking back down the steps to the sidewalk.
âHurry up,â she calls to me.
I glance one last time into the deserted stairwell, disappointment crushing the breath out of me, pulling my mouth down. I donât understand. I thought we were . . . I really . . . She must have felt it. How could she not have felt it, too?
I sling my bag over my shoulder, shake my head, and turn away.
For a minute Maddie and I trudge along together in silence. The street is busy now, crowded with people picking up lunch, striding with purpose from one place to another. In New York everyoneâs in a hurry all the time.
âI canât believe she ditched me like that,â I finally grumble, unable to stop myself.
Maddie looks sidelong at me, and then snorts.
âItâs a shocker,â she agrees. âMe? Iâm shocked.â
âIâm so screwed. Now I canât get her to sign my thing. She just ditched me! God!â The complaints crowd out of me, one on top of the other, and only then do I realize Iâm actually angry.
âWhat thing?â Maddie asks lightly.
Weâre walking south, gradually wending our way east. And then farther east.
âThis stupid release form. Itâs not even my film! I donât know why I care,â I spit. Of course, itâs not the release thatâs making me upset. I feel stupid, letting Annie see how much I liked her.
âShow me,â Maddie says, stopping by the gate to an austere cemetery. It looks like nobodyâs been in there for a long time. Thereâs a historic plaque and everything. A marble angel with outspread wings watches our conversation between gnarls of ivy.
I prop my camera bag on my thigh, fish out the crumpled paper, and hold it out for her to inspect. In a glimmer the grocery bag is in my arms and sheâs holding the
Lorraine Massey, Michele Bender