did.
“I don’t think I should help anybody find him if he doesn’t want to be found,” Rownie said. “Thanks for thesupper. Thanks for hiding me away from the Captain. But . . .” There was no polite way to ask this, so he did not ask politely. “Why should I trust you?”
Semele smiled. Nonny, of course, said nothing.
“Because we’re nice?” Essa suggested.
Patch shrugged and looked dour. “Probably shouldn’t,” he said.
Thomas let out a sigh. It made his beard flare out in all directions. He stopped strumming the bandore and set it aside. “Because I swear to you, by the stage itself, by every tale and character I have ever breathed life into while treading the boards, by every single mask I have ever worn and offered the use of my voice, that we will not harm your brother, and that by finding him we can prevent harm from coming down upon a great many other people—ourselves included. I swear it by blood and by flood and by fire, and I swear it by the stage.”
“Wow,” said Essa.
Rownie was also impressed, but he still wasn’t convinced. “Actors are liars,” he said. “You pretend. It’s kind of your job.”
“No,” said Semele. “We are always using masks and a lack of facts to find the truth and nudge it into becoming more true.” She picked up a pebble from the ground, wiped it off with her sleeve, and held it out to Rownie. “Here.This is more properly a way to say hello to the dead, who are stone silent themselves and therefore accustomed to a pebblish way of speaking. I do not think that Rowan is dead, but he is lost and therefore silent, and I know that this was his way of saying hello to your mother. So I will use it to say hello to you, yes—from him, and also from me.”
Rownie took the offered pebble. It was greenish gray and egg-shaped. “Hello,” he said.
“Welcome to our troupe,” said Semele. “You may stay and perform with us. We will teach you the language of masks—though we must go about that carefully, yes, since maskcraft is more likely to bring about arrest and imprisonment than it once was. We must also go carefully because your former household will be hunting for you. You are still welcome. In exchange, please be helping us to find your brother before the floods come.”
Rownie put the pebble into the only pocket of his coat. “He might be on the bridge,” he said quietly. “I look for him there, and sometimes I see someone who looks like him, though it isn’t ever really him. But maybe he’s there.”
“We have also searched the sanctuary of the Fiddleway,” Thomas said, “and we also have not found him. But we will keep searching. We are grateful for any help you can provide.”
“What do you mean, his former household will behunting for him?” Essa asked. “We have to worry about old Chicken Legs? Again?”
“Yes,” said Semele. “Please be cautious around pigeons. Tell me if you see them. Tell me if you dream of them, and shout if you wake up from such a dream.”
“Pigeons aren’t very clever,” said Essa. “I mean, I knew an owl who could use doorknobs, and a pair of crows who played harpsichord together. They had terrible voices, but were really just fantastic at the harpsichord. But pigeons are so dumb and mangy-looking. Do we really have to worry about them?”
“Yes,” said Semele. “Tell me if you dream of them.”
“Speaking of dreams,” said Thomas, “it is time we all went to our rest. We have a long walk before the show and the search tomorrow. Choose your masks for the morning walk, and then to bed. Here, Rownie. This one will be yours.” He took off his hat, reached in, and removed a mask shaped like a fox’s face. It had furry fox ears and a long fox nose, with whiskers.
Rownie took the mask and looked it over. It smiled with small, sharp teeth. Its fur was short, and coarse when his thumb rubbed it in the wrong direction. He smoothed the fur back again.
“You will also wear gloves and a hat,”