lines on the board and said, "That means Eric." More lines. "And that means Jess. J-E-S-S. Your mouth makes different sounds when you talk, and these symbols represent those sounds. So if I stopped by to see you, and you weren't here, I could write—that's what it's called, writing—a message to you on this board. And you could come along hours later, and read it. Like, 'Sorry I missed you. I'll call you tonight.' So you would wait for my call."
"Those symbols talk to you?" Jess said, thinking she understood but so amazed by the concept she couldn't be sure. To talk to someone who wasn't even close! "What do those—" she leaned over the grain bin to sweep her long-fingered hand just above the white marks that had already been there, "—say?"
Without hesitation, Eric said, "JayDee, one scoop. Windy, one and a half scoops. Silhouette, one scoop."
"Their feed!" Jess pounced on the realization with delight. She'd had to memorize the feeding directions, and with a barnful of horses, never mind the general newness of her life here, the task hadn't come easily. "It tells me how to feed the horses!"
"Right," Eric nodded. "You'll find lots of books that tell you how to do different things. And if someone tells you something and you aren't sure if it's true, sometimes you can find something to read that lets you know for sure."
"I want to read," Jess said with conviction. "Show me, Eric."
He looked at her, brow lifted in a mixture of surprise and approval. "I don't think I've ever heard you sound so assertive. I didn't know that was hiding inside you, you sly thing."
He was back to words she didn't entirely understand, but she knew well enough how she felt. When she didn't feel strongly about a thing, she was readily willing to acquiesce to someone else's wishes. But when she wasn't concerned for her safety or confused, when she wanted —well, she went after it. It wasn't for nothing that the other horses in her pasture conceded to her the best shade tree. She looked at Eric with a confident smile. "I want to buy books," she said.
He laughed, and nodded, moving to wipe away the words he'd written.
"No," she said quickly, a hand on his arm. She took the chalk from his unresisting fingers and laboriously copied the as-of-yet meaningless symbols below his examples. "Jess," she announced.
"Look out, world," Eric said, and laughed again.
* * *
The book buying turned out to be an adventure. Jess could hardly believe it when they went into a store with volume after volume lining the walls, crammed into the aisles—even filling a table just outside the store's entrance. She was wildly curious—what could so many people find to write about? Maybe this world was as confusing for others as it was for her, and everybody needed directions. The explanation that most of the books were stories, just like the television, didn't particularly convince her that her theory was wrong.
"These people know everything in the books already?" she asked Eric of the sales staff. Then she decided her own answer. "Yes. Or they wouldn't be in charge."
Eric shook his head, unable to hide his amusement—both at Jess' notion and the reaction of the cashier. "We're looking for a good first reader," he told the woman.
"I'm going to learn to read," Jess announced.
"Good for you," the woman responded, regaining her composure. "Let me show you some of the books our other adult learners seem to enjoy."
Within a very short time, Eric's arms were full. He had an adult text called Reading for Tomorrow, and a variety of young adult books. Jess particularly liked the looks of several books about an orphan named Anne, whom she fancied might have felt the same as she, arriving at Green Gables unexpected and not particularly wanted. Then she wandered into one of the aisles and found an entire row of books about horses.
"Oh, no. Uh-uh," Eric said, shaking his head before she even looked at him to ask. He shifted his load of books to the crook of one overworked
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain