his thumbs pressing my shoulder blades. âReally separate them out.â I try to keep dancing but I canât ignore the buzzing in my head. Iâm sure heâs aware of it, too, this electricity passing between us.
I stop.
âKat,â he says, his voice charged with feeling.
I hesitate and I know I have to vacate this moment. âI have to â¦â I pull myself away, ready to flee.
âWe said it doesnât have to get weird between us. It was just one moment.â
âYeah,â I say, and laugh. âExcept itâs like a hundred different moments. Do you remember this?â I step into his space and put my hand on his cheek.
âPeople phobic,â he says.
I smile, despite everything, Iâm glad he remembers that day last year, when heâd just started at the Academy and hated everyone and everything, reacting badly to being touched in class when his technique was corrected. I staged my own intervention, touch therapy Iâd called it. And look how far heâd come over the last year. It was my turn to grow now. And touch therapy was the last thing I needed.
I take a deep breath and â helter-skelter â decide to come clean. âSo, in a disastrous manoeuvre Iâve kind of had feelings for you since the start of last year.â
Christian is stunned by my admission.
âAnd youâre pretending not to be but youâre in love with my best friend.â
âSo everyone keeps telling me.â
âWhich I absolutely support. Itâs just tough for me sometimes and youâre making it worse.â
âWhat should I be doing?â
âI donât know, staying away?â I meet his eyes. âIf Iâm coming back to the Academy then there needsto be a buffer. I canât train with you. I canât even be friends with you.â
Christian shakes his head. âThatâs crap. Weâve always been friends.â
âYou have. Iâve sort of been pretending.â
And I get out of there, fast, before the hurt in his eyes can undo me.
Â
I beg Ethan to help me train but he refuses.
âThis is your dream scenario,â I insist. âYou live to tell me what to do.â
âAnd you never listen. Which is why you obviously need a trainer whoâs going to inspire discipline.â At that moment, Abigail enters the studio. âPerfect timing.â
âFor what?â Abigail asks, suspiciously.
âMy sister needs someone whoâll push her to breaking point.â
âIâd prefer to take my chances,â I say, as Abigail protests.
âItâll be mutually beneficial. You need to stop obsessing,â he says to Abigail. To me: âAnd you need to obsess more. I expect nothing less than magic.â
He glides off, leaving Abigail and me glaring at each other.
Â
Abigail walks slowly around me as I stare in the mirror. Finally she stops and smiles. âItâs gratifying how for years youâve made fun of my choices, my dedication, and now you want my guidance.â
I grit my teeth. My brother might be cruel and unusual, but heâs right, if anyone can get me up to scratch, itâs Abigail.
âYouâll do what I say, when I say?â she demands.
âYou say jump, I say whereâs the nearest cliff.â
She hands me a skipping rope. âGive me a hundred.â
âI was speaking metaphorically. I have six days to get ballet friendly. Canât you give me a class?â
âCardio first. Class comes later.â
If my life were a movie, this is where the montage would kick in, to a pumping soundtrack. Skipping, sit-ups, running up flights of steps. Abigail confiscating my burger and donut and replacing it with a piled up plate of salad. Unfortunately montages donât happen in real life. In real life itâsjust gruelling hour after hour of cardio and strength training. I stick to her diet and follow her insane schedule. I