something this time. But he doesnât look like heâs going to burst into flames, either. Which is encouraging.
âBut weâre done now,â Jim says, and suddenly his big smooth smiling face pulls in on itself like closing curtains. He reaches out and plucks awkwardly at the strings of Russellâs banjo. âAnd so now, you take this, you take it all, you take your feelings for your dads and your memories, take them home and keep them nice. Do that for yourselves, okay?â
He doesnât get an answer. He does, but itâs not loud. DJ clutches that banjo and I clutch this fiddle and we stare at big Jim and Jim stares back. He puts that great smile back on, and it is still a great thing but it is great and beautiful the way a three-legged dog is even though itâs not what it could be, not what itâs supposed to be, not what it was before.
UNDER THE BRIDGE
âAre ya winninâ?â
âJeez, Dad,â I say, springing up in the bed so fast that our foreheads clunk like coconuts and I fall right back again.
He laughs, rubbing his head. He laughs.
I squint at my clock in the darkness. It is neither late enough nor early enough to be seeing him.
âIs it breakfast time? How did I not wake up if you were coming home? How did I not knowââ
âShush,â he says, reaching out and patting me on the chest. His big paw is radiating heat. âShush, shush. Youâre all right. Iâm home early. Boss sent me home early. You want a baklava?â
âNo. Why did he send you home? Are you all right?â
âOh, Iâm fine. Itâs just this knee of mine. You know how I hurt it. Itâs fine. Itâs just acting up a little, swelling up a little. Big Jim thought I should take it home to rest. Thatâs all.â
Thatâs a relief to me. Relief that I have not lost my sense of when Dadâs shift is ending and breakfast time is coming. And in the firefighter game, a gimpy knee is a pretty benign thing to get you sent home.
âOh,â I say. âThatâs good. But ⦠he sent you home with a bad knee? You worked a whole four-day shift one time with a broken wrist before going to the hospital. Why would he send you home for this? And why would you go?â
Heâs still got his hand on my chest. Reminds me of the hot water bottle my folks would always put on me for colds. It is heating up, like a fever, as he speaks.
âGuess Iâm getting too old to act like that anymore. Guess the boss knows when I should be home. Nothing to worry about, though.â
âOh,â I say, though I had stopped worrying there until he told me not to.
âThe important thing,â he says, âis, are ya winninâ, son?â
âI am, Dad. Iâm winninâ. Are you winninâ?â
He takes a long time to answer. The heat off his hand increases more in the time.
âI am, son,â he says. âOf course Iâm winninâ. Listen, you go to sleep now. I shouldnât have gotten you up.â
âItâs okay,â I say. âI only have the crap classes in the morning. I can catch up then.â
âAh,â he says, laughing. He pushes down on my chest, sinking me back into the mattress and back in the direction of sleepland.
He closes my bedroom door very gently, like trying not to wake the baby.
A minute further into sleep, I believe I hear him go back out into the night.
Old Mr. Kotsopolis had run a Greek coffee shop in the neighborhood forever. He ran it in the days when his wife was teaching and ringing that brass bell, and he ran it for years after she retired. Sometimes she would be behind the counter, but mostly he ran it on his own. My dad told me the primary business of the place was all the older Greek guys playing cards for money at the back, but he personally spent so much of his own cash gathering up dewy fresh baklava and powerful coffee for the Hothouse that no other