got to me. One morning I looked up and there he was, squatting to talk to her and asking her if she knew how pretty she looked. “You’ve got your mother’s mouth,” he said. Most people see only Guy in her. “Bright, too,” he told me. Then he rose and shook my hand. We had met a couple of times before, but this was the first notice that he had taken of Darcy. After that he spoke to her every time he came by, and often brought her something—a jump-rope, or a set of checkers, and once a little dress-updoll that had a lot of extra costumes they sold separately. He brought her those costumes one by one; in the end I believe she had them all. And meanwhile, of course, he and I were getting to know each other. But Darcy was the starting point. I remember the first time I ever thought seriously about John. It was a few months after we had met. He said, “Now that you have this
one
pretty little girl, are you going to have a whole crowd more?” “Oh, no,” I said, “Guy says one is plenty.” “He’s a fool,” John said, and he looked straight at me for a long time and then turned and left. I don’t know why that stuck with me for so long. I remember that I went back to the house and started washing dishes, and suddenly I stopped with my hands in the suds and looked out the window after him and got this strange springing feeling in the bottom of my stomach. That was how it began.
The man who owns this boarding house is very odd, and at first I was afraid of him. He reminded me of a slug. You see people like that in the newspaper all the time, caught molesting children or exhibiting themselves on picnic grounds or shooting into crowds; there is something curled and lifeless and out of touch about them. But when I had been here longer I saw that he wouldn’t harm a fly, and now I let him talk with Darcy even when I am in another part of the house. You can tell he loves children. He doesn’t know what to say to them, really, but he tries hard and he often takes Darcy up to his studio and lets her cut and paste. It does her good to get away from me for a while. When I think he might be growing tired I climb the stairs to fetch her, and I find them bending over separate tables, Darcy chattering away a mile a minute and covered with paste while Mr. Pauling works silently on those kaleidoscope things he seems to like. “I’ll take her now,” I say, and he says, “Oh, well, oh, no hurry, we were just—she was just—” Then he stands there wringinghis hands, the first person I ever saw who truly does wring his hands. He doesn’t appear to like me much, or maybe that’s just his manner. He makes me feel too tall and too loud and too strong. I never know how to act with him. Evenings, watching TV, which is the only time when we boarders are all together, he is so confused and some of what he says is so out of place—things a deaf man would say, having lost touch with the world—that I have to hold down a laugh. The others are very kind to him.
They
never laugh. They have a habit of bending their heads toward him as they listen, and then straightening to puzzle over what he says, and even if he makes no sense they give him some grave and courteous answer. Because of this all conversation moves slowly, with long pauses, in a sort of circle that is designed to protect him. No wonder the meek will inherit the earth.
Darcy’s eyes are blue like Guy’s, and her hair is his fine, white-blond color and not much longer—Guy always did wear it long. I remember when I first saw him, he was swimming in Dewbridge Lake and every time he came up for air he had to give his head a sharp flick to get the hair off his face. Wet, it came nearly to his chin. When it snapped back spangles of water flew out from him like jewels. Then he climbed onto this old fallen tree that people used for a diving board.
Other
people used it; I wasn’t allowed to, for fear of stobs and hidden branches. I wasn’t allowed to do anything back
Robert Asprin, Lynn Abbey