and we could be friends.
Every day, I promise, Iâll think about her.
Iâm not going to let this go.
I look at every van I see, whether itâs new or scratched. I look in the back window to see if sheâs there.
I call Daphne a few times to see if anyone has seenher.
No one has.
Just me and Winnie.
Everything feels hard.
Everything feels stuck.
Now my brain opens and I remember another thingânot made upâI remember!
The girl had a scar above her eyebrow. I try to draw it.
It was like a squiggle. I remember it now and something else, too.
She had earrings on. They were shaped like little pink flowers. I draw that.
I wish my dad were here, the way he used to be.
I could call him.
Maybe itâs a bad time, maybe something made him angry.
Even more reasonâhe needs to hear an adorable, talented voice.
I speed-dial my father.
Six rings.
I donât want to leave a message. But then, Dadâs voice breaks in. âAnna?â
âDad . . .â
âI am so glad to hear your voice,â he says. He doesnât sound angry.
I bite my lip. âItâs good to hear yours, too, Dad.â
âWow, kiddo, Iâm so sorry I havenât called you.â
âItâs okay.â
âItâs not okay. I owe you a big apology. Iâm sorry for all the anger, Anna, for all the outbursts . . . Iâm sorrier than I know how to say.â
âThat means a lot, Dad.â
âIâve been working through a lot of stuff.â
I nodâI have, too.
âTell me . . . how are you doing?â
And we talk about that. How I have one foot here and the other foot there.
We talk about the festival, and then in one long blurt I tell him about the girl in the van, the sheriff, and Homeland Security.
âYouâve got the big guns on your side! Youâve got a lot going on.â
He sounds like the dad he used to be. . . .
I want to ask, What happened?
Okay, Iâm only twelve, but Iâm not stupid.
âI wish you were here, Dad.â
âI wish I could get away, honey. Work is crazy right now.â
I tell him about the yellow scrunchie bracelets.
âWear that like a flag,â he says.
I hold up my hand with the scrunchie. âI will.â
âIâm so proud of you, Anna. Prouder than I know how to say.â
He used to tell me that all the time.
Iâd better not mess up.
Iâm at the library retracing her stepsâhow she came in through the front door not on her own, how she was yanked into the bathroom by the lady with the white sunglasses and then pulled out, how she was so brave she tried to escape.
Sheâs got courage, I know it!
Iâm in the petunia suit, happy on the outside, wilting on the inside. A lady comes into the library with her baby who wonât stop crying. This mother looks so tired. I go up to her and just give her a hug, and she starts cryingâthey donât prepare you for this in petunia training.
âCan I help, maâam?â
âIâve just had a miserable week.â She tries to smile, but her heart isnât in it.
And I do something youâre not supposed to do in the library, but Iâm one tough flower and Iâve learned a thing or two. Actually, I learned this as a radish, about smiling when your heart aches.
That song I sang is perfect for right now. I look at the lady and donât think about my voice cracking or my nerves or any of that.
I just let it come from my heart.
The lady is smiling at me and nodding and her baby is quiet as I sing this song called âSmile.â
Ben walks over as I finish, and everyone applauds.
I take a bow. The lady with the baby shakes my hand.
Ben says, âYou said you didnât sing.â
âWell, only sometimes.â
I go back to telling the people about the festival and passing out flyers.
I want to say,
Have you seen a girl with baby animal
Victoria Christopher Murray