Free Flight to Arras by Antoine de Saint-Exupéry Page B

too.”
    I did not like America.
    Here they were, then, strolling back and forth through the interminable hall while I almost fainted holding my breath and following them with my eyes and ears. “In times like these,” they said; and they moved off with their secret meant only for grown people. “In times like these,” I memorized the phrase. Then, as if a tide had rolled up to me another of its indecipherable treasures—“It’s pure madness, positive madness,” one uncle said to the other. And I fished up that phrase as if it were a priceless thing, and to myself I said slowly, testing its power upon the consciousness of a five-year-old, “It’s pure madness, positive madness.”
    The tide carried my uncles away, the tide rolled them up again. With a kind of sidereal regularity, like a gravitational phenomenon, this going and coming repeated itself and suggested to me fitfully lighted glimpses of the life of man. I was marooned on my console for eternity, the clandestine listener to a solemn consultation in the course of which my uncles, who knew all there was to know, were collaborating in the creation of the world. The house might stand a thousand years: for all that thousand years my two uncles, pacing the hall with the patience of a pendulum, would continue to fill the air with the apprehension of eternity.
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    That black dot at which I stare is surely a human habitation thirty-three thousand feet below me. And I receive nothing from it. Yet it is possibly a great country house, and there may be two uncles in it pacing to and fro and slowly constructing in the consciousness of a child something as fabulous as the immensity of the seas.
    My field of vision embraces a territory as large as a province, yet round me space has shrunk to the point of suffocation. In all this space I have less space at my disposal than was available to me in the replica of that black dot. I have lost the sense of distance, am blind to distance. But I feel now a kind of thirst for it. And it seems to me that I have stumbled here upon a common denominator of all the aspirations of mankind.
    When chance awakens love, everything takes its place in a man in obedience to that love, and love brings him the sense of distance. When, in the Sahara, the Arabs would surge up in the night round our campfires and warn us of a coming danger, the desert would spring to life for us and take on meaning. Those messengers had lent it distance. Music does something like this. The humble odor of an old cupboard does it when it awakens and brings memories to life. Pathos is the sense of distance.
    But I know that nothing which truly concerns man is calculable, weighable, measurable. True distance is not the concern of the eye; it is granted only to the spirit. Its value is the value of language, for it is language which binds things together.
    And now it seems to me that I begin to see what a civilization is. A civilization is a heritage of beliefs, customs, and knowledge slowly accumulated in the course of centuries, elements difficult at times to justify by logic, but justifying themselves as paths when they lead somewhere, since they open up for man his inner distance.
    There is a cheap literature that speaks to us of the need of escape. It is true that when we travel we are in search of distance. But distance is not to be found. It melts away. And escape has never led anywhere. The moment a man finds that he must play the races, go to the Arctic, or make war in order to feel himself alive, that man has begun to spin the strands that bind him to other men and to the world. But what wretched strands! A civilization that is really strong fills man to the brim, though he never stir. What are we worth when motionless, is the question.
    There is a density of being in a Dominican at prayer. He is never so much alive as when prostrate and motionless before his God. In Pasteur, holding his breath over the microscope, there