has devised', Akhenaten affirms that, unlike other gods, the Aten cannot be represented by a physical likeness. Indeed, throughout the site the Aten is only ever represented by the sun disc symbol, and never by a statue or image – human or animal. Since the earliest dynastic times the gods of Egypt had been thought to inhabit their images, and the making of such idols was rigidly defined in the sacred texts. Once the image was made and consecrated it was regarded as a living being: it lived in its own 'great mansion', where it was tended by servants (the priests) who not only clothed and fed it (in the form of offerings), but actually woke it in the morning and put it to rest at night. All this ritual was condemned by Akhenaten, who prohibited the making of any such image of the Aten.
The manner in which Akhenaten acted as both ruler and supreme prelate can be gained from the inscriptions in various tombs. Although the king still bears the title the pharaohs had used since the Old Kingdom – 'Son of the Sun-God' – he now he has an additional title: 'The Beautiful Child of the Aten'. It would seem that Akhenaten wished to distinguish himself from all his predecessors, in that he was not merely the vessel of his god, a nominal son, but of the same substance as his god,literally his offspring. Moreover, it would seem that Akhenaten and the Aten were seen to rule Egypt side by side. A particular event referenced in the tomb of Meryre, the overseer of the royal harem, is dated to year 12 of Akhenaten's reign, and the same event referenced in the tomb of the high steward Huya is dated to the twelfth year of the reign of the Aten. Evidently, like a king and his son, the pharaoh and his god were regarded as co-regents.
Although Akhenaten is the sole spokesman for his god, his family apparently shares something of his divinity. Indeed, it is only they who are privileged to include the Aten in their names. Beside Akhenaten, whose name means 'Living spirit of the Aten', only his offspring such as Meritaten, Meketaten and Ankhesenpaaten, and his queen Nefertiti, whose title was Neferneferuaten, 'Fair is the beauty of the Aten', are granted such a distinction. In both the tombs and on the boundary stelae, the subjects which occur most frequently are the royal family making offerings before altars, bestowing decorations on favoured courtiers, and eating and drinking together at home. In all these scenes, no matter who else is present, the rays of the Aten only ever touch the royal family's bodies or hold an
ankh
– the symbol of life – to their nostrils, an honour denied all others, no matter how high their rank. It seems that the royal family was regarded as a holy family, and their daily prayers replaced the rituals once performed by the priesthood to keep the world in motion.
Although, in theory, the pharaoh had always been absolute ruler, his religious role was more that of an icon or figurehead. The priesthood had the real authority in sacred matters. This is why the pharaohs had so indulged them, sometimes to the extent of their own ruin. It is wrong to think of the Egyptian priests simply as ministers of a modern church, attending to thespiritual well-being of their congregations. Various gods were considered responsible for the forces of nature, cultural accomplishments and fortunes of war, and each of them had to be appeased. The multitude of priests who saw to their veneration would have been regarded more like workers in the modern utilities industries than clergymen – essential to keep the wheels of the nation turning. In many ways Egypt was structured like a technological civilization without technology. As modern civilization would collapse without its power workers, Egypt imagined it would collapse without its priesthood.
The general populace played no part in the temple activities. They did not go there once a week to worship or pray, or visit the priests for seek solace or to ask for guidance. In fact, if they