The woman talking on the way to the Belvedere, whose lively eyes, independent of the words of the moment, contentedly surveyed her story to its end – The powerful half-turn of the neck of a strong girl.
29 September. Goethe’s diaries. A person who keeps none is in a false position in the face of a diary. When for example he reads in Goethe’s diaries: ‘1/11/1797. All day at home busy with various affairs,’ then it seems to him that he himself had never done so little in one day.
Goethe’s observations on his travels different from today’s because made from a mail-coach, and with the slow changes of the region, develop more simply and can be followed much more easily even by one who does not know those parts of the country. A calm, so-to-speak pastoral form of thinking sets in. Since the country offers itself unscathed in its indigenous character to the passengers in a wagon, and since highways too divide the country much more naturally than the railway lines to which they perhaps stand in the same relationship as do rivers to canals, so too the observer need do no violence to the landscape and he can see systematically without great effort. Therefore there are few observations of the moment, mostly only indoors, where certain people suddenly and hugely bubble up before one’s eyes; for instance, Austrian officers in Heidelberg, on the other hand the passage about the men in Wiesenheim is closer to the landscape, ‘They wear blue coats and white vests ornamented with woven flowers’ (quoted from memory). Much written down about the falls of the Rhine at Schaffhausen, in the middle in larger letters: ‘Excited ideas.’
Cabaret Lucerna. Lucie König showing photographs with old hairstyles. Threadbare face. Sometimes, with her turned-up nose, with her arm held aloft and a turn of all her fingers, she succeeds in something. A milksop face – Longen 15 (the painter Pittermann), mimic jokes. A production that is obviously without joy and yet cannot be considered so, for if it were, then it couldn’t be performed every evening, particularly since it was so unhappy a thing even at the moment it was created that no satisfactory pattern has resulted which would dispense with frequent appearances of the whole person. Pretty jump of a clown over a chair into the emptiness of the wings. The whole thing reminds one of a private production where, because of social necessity, one vigorously applauds a wretched, insignificant performance in order to get something smooth and rounded from the minus of the production by means of the plus of the applause.
The singer Vaschata. So bad that one loses oneself in his appearance. But because he is a powerful person he holds the attention of the audience with an animal force of which certainly I am consciously aware.
Grünbaum is effective with what is apparently only the seeming inconsolability of his existence.
Odys, dancer. Stiff hips. Real fleshlessness. Red knees only suit the ‘Moods of Spring’ dance.
30 September. The girl in the adjoining room yesterday. I lay on the sofa and, on the point of dozing off, heard her voice. She seemed to me in my mind to be overdressed not only because of the clothes she wore, but also because of the entire room; only her shapely, naked, round, strong, dark shoulders which I had seen in the bath prevailed against her clothes. For a moment she seemed to me to be steaming and to be filling the whole room with her vapours. Then she stood up in her ash-grey-coloured bodice that stood off from her body so far at the bottom that one could sit down on it and after a fashion ride along.
More on Kubin: The habit always of repeating in an approving tone someone else’s last words, even if it appears from his own words added on that he by no means agrees with the other person. Provoking – When you listen to his many stories it is easy to forget his importance.Suddenly you are reminded of this and become frightened. Someone said that a place we