Graham, when I think of that will!â
He didnât answer her. What she said was true. His old friend had indulged his vanity the second time around; it was fortunate for him that he hadnât lived long enough to see Isabelâs true worth.
Only she had been clever enough to disguise her feelings while Charles was alive. Now her real colours were flying. Richard Schriber stayed on at Beaumont, while he, Charlesâs greatest friend, was forbidden the house.
âI donât know why you bother yourself,â his wife said. âLet her go ahead â sheâll find out what Richard Schriberâs really like. If you ask me, theyâre probably sleeping together!â
The remark jarred on him. He looked up at her irritably. âDonât say a thing like that!â he said. âSheâs just being bull-headed, keeping him around. Heâll go in time.â¦â
âMaybe,â Joan Graham said. âBut itâs mightly funny him hanging round this long. Theyâre about the same age; sheâs been tied to an old sick man for almost eight months. I wouldnât be surprised what they were up to!â
âHe hated his father,â Andrew said slowly. âHated him enough to do anything to get back at him. Even now. If youâre right, Joan, and you may be, then it will be a kind of judgment on her. And since she wonât see me, I canât warn her.â
âNo,â his wife said flatly. âYou canât. And donât you fret. You forget about those Schribers and think of yourself for a change.â She got up, and for a moment her hand stroked his hair. âYou look tired, Andy. Iâm going to make you a cup of milk with a little Comfort in it. Itâll do you good.â
Downstairs in the office, Richard Schriber was going through his fatherâs desk. He sat down and began methodically, opening each drawer and reading through every paper. In the bottom drawer there was a flat cardboard file. The name of his fatherâs attorneys was on it. He took it out and began to read through the letters. When he found the copy of Charlesâs will, he leaned back in the chair, tipping it slightly. He put the letters back, replaced the will in the end of the file and closed up the desk. He moved the chair away to its place against the wall. He went back to the study and sat in the big leather chair which Charles used, and lit a cigarette. His fatherâs library of racing books and references were either side of the fireplace. The Plazzotta bronze of his favourite brood mare, Silvia, with her foal at foot, stood on a table by his elbow. Richard reached out and ran his finger down the mareâs back. Horses. All his life he had lived with horses; seen them, smelt them, been put up to ride as soon as he could walk across the nursery floor. Hunting, breeding, racing. Men with legs slightly bowed, as distinctive in their profession as boxers or footballers. He had always thought that there was a horsemanâs face; several varieties indeed. The long, lean huntsman, the narrow foreshortened jockey with his monkey stature, the stable man and the amateur with features slightly bruised and coarsened. Always the talk of horses, the phrases that were part of a language unintelligible to outsiders. The mystique, perpetuated by people involved in what was essentially a tough and money-making industry. His father, surrounded by the sentimental paraphernalia â photographs in silver frames, that solid wall of trophies, paintings and sculptures, reminders at every turn in the house that Beaumont and everyone in it owed their existence to the horse. He had always hated them. As a child he had been terrified.
He had hunted, the only one among the crowd of local children tearing their way across country who thought the ritual death of the fox was a cruel and disgusting climax to hours of danger and discomfort. He remembered his mother being brought home