surrender. âI think itâs about time I put my foot down with a firm hand. What exactly is all this about?â
Bea couldnât make out if he were serious or not but launched into the tale of Coralâs woes, with Maggie chipping in every now and then.
âGood grief,â said Piers, when theyâd finished. âCanât the policeâ?â
âNo,â said Bea, not bothering to elaborate. There was an awkward silence, and Maggie said, âIâd better see about lunch,â and darted off.
Piers said, âAm I right in thinking Coral would be in trouble with the taxman if she went to the police?â
âSomething like that, yes. She trusted a member of her family to deal with â er â certain aspects of the book-keeping, and he let her down. Sheâs putting it right.â
âIâve been in trouble with the taxman myself till I wised up and got a good accountant. Thatâs the trouble with freelance work. Feast or famine.â
âYouâre doing all right now?â
âBless you, yes. Got a penthouse flat in the Barbican, and a shack in the South of France that I can retreat to when everything gets a bit much here. You donât need to worry about me.â
Bea sighed. âI do, though. How come a busy man like you just happens to be able to drop everything and come to my rescue at a momentâs notice?â
Was that a blush? âI knew roughly when youâd be back after Hamilton died. I knew who I was due to paint around this time, so I built in a bit of leeway. Iâm totally at your disposal for ten days, right?â
âBecause Hamilton asked you to? I donât think I can accept your offer, Piers. Besides which, tracking down con men isnât exactly your scene, is it?â
He sat upright. âIâm not going to track down con men. What I thought was, that there might be a family squabble going on that I could help you sort out. That I could come the heavy father act.â He laughed, shortly. âSome father Iâve turned out to be. But now Iâm here, well, yes. Iâd like to help. It would take my mind off the dreary business of painting the sly, heavy faces of todayâs power merchants, which is all I seem to do nowadays.â
Bea didnât know whether to believe him or not. In the past heâd been so driven by his art that heâd never had time for anything else but bedding the nearest available woman and ingesting a certain amount of food. And that only when reminded to eat. He hadnât been selfish so much as absorbed by his art.
She said, âI canât have you sleeping here.â
âNo, of course not. Iâll book into a hotel locally. Do you know one?â
âMaggie can do it for you.â
âDonât laugh, but I rather think Iâd like to paint her, as well. All that gauche bravado. Why is she pretending to be Barbie doll?â
Bea shrugged. âI only met her last night. Thereâs a capable girl somewhere under all that camouflage, but her manner is unfortunate, to say the least. She talks to me as if I were a toddler, and her laugh drives me insane. Iâll be glad to see the back of her.â
Maggie popped her head around the door, to say, âFive minutes.â
Bea cringed. Had the girl overheard?
Maggie was frowning. âHave you seen Oliver? I canât find him anywhere.â
At once Bea felt alarm. Knowing something of the boyâs history, might the prospect of being thrown out of his home and separated from Maggie have driven him to despair once more? âPiers, look downstairs. No, you wonât know the way. Go down the steps outside the French windows. Look in the little shed at the bottom of the garden. Maggie, see if Oliverâs taking anything from his room at the top of the house.â
Bea ran down the stairs to the basement, while Maggie thundered her way up the stairs. What was the child wearing
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