fortnight?â
They looked at him blankly.
Mahmoud sighed and made them file past him. âCan you see them?â he whispered to the clerk.
âEffendi, I can see them,â the clerk whispered back. âBut the men who came to the station are not amongst them!â
âLook once more!â
He made the men file past again, but with the same result. âEffendi, I do not see them,â said the clerk worriedly. âI really donât!â
âAre all the men here?â Mahmoud asked Ismail.
âThey are all here, Effendi.â
Mahmoud got down from the cart and walked over to the men. âAre you all here?â he asked. âNo one is missing?â
The men looked at each other. âNo one is missing, Effendi. We are all here.â
Mahmoud was nonplussed. He had counted on the clerk being able to identify them. He made them file past once more but again drew a blank. He knew he would have to let them go.
He saw Ismail looking at him with an air of triumph, and made one last attempt. âNone of you has been to Denderah recently?â
They looked at him blankly.
âIt concerns a bride box,â he said.
There was a flicker of interest.
âA bride box which was taken to the station in Denderah and put on the train.â
He was losing them. Bride boxes were within their experience; trains, however â¦
âAnd sent to the Pasha,â he tried desperately.
That was interesting. It was even funny. A bride box! For the Pasha!
But it didnât register particularly with the men as it should have.
âThey can go now?â asked Ismail, almost insolently.
Mahmoud made one last try. âHave any of you a bride box in your house?â
One or two nodded.
âAnd still have? None have been sent away lately?â
They shook their heads.
âEffendi,â said Ismail, âthere is another consideration. To take a bride box to the station at Denderah would require a cart. A cart could come only from here and no cart could be moved without my permission. My permission has not been given. Nor has it been sought. You are asking at the wrong place; asking the wrong people.â
Mahmoud had to let them go. He got four of them to take the cart he had borrowed back to the outhouse. The men went away and shortly afterwards he saw the clerk, standing beside the barn, much relieved. He left the yard behind some women returning to the kitchen who had been interested in the spectacle and could hear them talking.
âBride box!â one of them sighed. âI had a bride box once. Ah, those were the days!â
âMine was green and orange,â said another woman wistfully. âAnd blue for the sky.â
âMine had birds.â
âAnd mine had fish.â
âI had a bird
catching
a fish!â
âBeautiful!â
âAh, those were the days.â
The party broke up.
âAre you coming in?â
âNo, Iâve got to get back to the other house.â
âOther house?â Mahmoud, overhearing, asked them.
They turned to look at him.
âYes, the other house.â
âWhat house is this?â
âIt is where the Pashaâs wife lives now that she does not live with him.â
âAnother house? Does she have servants?â
âOf course.â
âServants of her own? They would not have been with the others?â
âYou asked only for men on the estate.â
âWhy was I not told?â said Mahmoud furiously.
He knew, really. This was Ismailâs revenge.
âThere is this one, which the Pasha uses when he is here. The other is for his wife.â
âAnd the son.â
âThere is a son?â
âIn a manner of speaking.â
There was a ripple of amusement.
â
She
âs the master there!â someone said.
Behind the temple were the mountains, pink and as if floating in the air, with satiny sand drifts heaped in the rifts in the rock and lines of
Victor Milan, Clayton Emery