Cam - 04 - Nightwalkers
think so," she said as we went up the front stairs and then to the front door. There were two sets of shepherd ears silhouetted against the wavy glass of the door's side windows. We went outside, and I executed the lease agreement.
    "I was thinking," she said. "When you get settled in next door, perhaps you'd like to take a ride around the property. I've got a husband-horse I could bring for you, and it really is a great way to see the whole property."
    "A husband-horse?"
    She laughed. "That's a horse-world term for a perfectly docile horse that even the nonriding husband can ride. You would be riding on, as opposed to actually riding."
    "Got it," I said. "Sure, why not? What could go wrong?"
    She laughed again, and I found myself warming to her sunny personality, among other attributes. "Not much, actually, not on Goober, anyway."
    "Goober."
    "You'll see," she said. "I'll call you."
     
    After she left, I considered the possibility that the stop-by had been dual-purposed. Get the lease signed, and give me a look at Carolwhen she cleaned up and invested in a little powder and paint. I also considered the possibility that the entire female universe might not actually revolve around me. God, I hoped that wasn't so.
    I went back into the house with the mutts to pursue the matter of the light-footed candlestick. The first problem I encountered was that it was back on its table in the kitchen.
    The trapdoor was still down and latched. I didn't remember bringing it back up, and nor had Carol.
    No
way
, I thought. I went over and tugged at the handle of the door; it did not move. The latch held. So no one who could have been hiding in that basement could have moved the candlestick.
    "C'mon, you guys," I said. "We're going exploring."
    We went through the house, starting with another quick look down in the basement and then through every floor right up to the attic, which was accessed through a ceiling hatch at the back of the upstairs main hall. I'd found an antique wooden ladder stored in the hall closet, which allowed me to get up into the attic.
    There was nothing up there but cold air, lots of spiderwebs, and a great look at the original construction timbers, which were, for the most part, more whole trees that had been squared off where needed and then fit into a roof truss structure with wooden dowels. There were no lights in the attic, but some light came in through air vents at the eaves, and it was fully floored. There were no chained trunks of hidden treasure, no wardrobes full of antique clothes, and absolutely no place for anyone to hide. The inside walls of the massive brick chimneys were exposed on four sides, and the mortar actually looked to be in pretty good shape. There were no water stains on the floor, so the roof was intact as well.
    I climbed back down the ladder to where the shepherds were waiting and reset the hatch cover as I came down. We explored each of the main rooms, the few remaining armoires upstairs, and even the single bathroom grafted onto the drawing room downstairs. I'd taken sometime going through the reception room on the main floor, which the old lady had converted to her bedroom in her declining days. As was customary in nineteenth-century homes, freestanding wardrobes and armoires were used in place of closets. There was a smallish canopied bed, two armoires, a ratty-looking oriental rug, and some chairs and tables.
    I sat down on the edge of the bed.
    I listened once again for rattling chains, low moans in the walls, or other ghostly noises, but mostly what I heard was the sound of two shepherds panting.
    Someone had moved the frigging candlestick. Someone had been in the house when Carol and I had gone out to her car. That same someone had done his or her poltergeist thing and still managed to get out of the house, unseen and unheard, before I came back in and started looking around in earnest. The shepherds were relaxed, which told me that said someone wasn't here anymore. Ergo, no point

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