face had gone deathly white, but sweat beaded his forehead and his hands were shaking.
âPlease tell me this isnât what I think it is.â
She didnât reply. Instead she stared at the doll where it had fallen, the dress rucked up to its waist, the painted smile no longer demure but shameless, immodest . . . bad .
The beginnings of realization came like a trickle of icy water. Quickly, the trickle became a flood. âOf course! Itâs an image , isnât it? Like a voodoo doll?â
âI donât see what else it can be.â Now that Sam was no longer holding the doll, heâd stopped shaking, but his face was still pale. âItâs dressed like Maisie, its eyes are like hers, and so is its hair. Itâs even got her bruises. No wonder it feels evil. Itâs had a curse put on it!â
âBut could this be what killed her?â
âI donât know, but one thingâs for sureâit wasnât meant to do her any good!â
For a few moments, neither of them spoke. Then Sam pulled himself together. âYou need to get rid of it,â he said roughly.
âHow?â
âWho cares? Burn it. Throw it in the garbage.â
âI . . . I canât do that.â
âWhy not, for heavenâs sake? The kidâs dead , isnât she? You canât do her any more harm now!â
Hannah swallowed. âI . . . just canât do it, Sam,â she muttered.
âOkay, then. We put it back where we found it.â Without waiting for a response, he snatched up the limp creature and went out onto the landing. The board covering the entrance to the loft hadnât been screwed back but lay against the brown-painted door. Sam pushed it aside and walked quickly up the stairs. Hannah started to follow, but he turned around. âGo and get that toolbox.â
When she returned, he was already back on the landing, waiting for her. In silence, she watched him take the screwdriver and replace the screws, one by one. Then he straightened up again and breathed out, hard. She knew from his face that he was thinking the same as she was. It had felt unpleasantly like sealing up a tomb.
Sam didnât stay long that day. The discovery had shaken them both too much for normal conversation, and he left soon after four, telling her that she should call him if she needed to.
In the evening, her mother settled down in a chair with a cup of coffee and the newspaper. Hannah sat with her geography textbook, trying to memorize facts about population density, but she still felt jittery and fidgeted, unable to concentrate.
At last Mom looked up. âWhy donât you do some drawing?â she suggested. âI havenât seen you take out your sketchbook for ages.â
It was true that the last time she had tried to draw had been the day sheâd gone for a walk, the day sheâd discovered Maisieâs grave in the churchyard. Since then, she simply hadnât felt like sketching, which was unusual. Maybe this was a good time to start again. It might take her mind off things. But what to draw? She needed a subject.
Still wondering, she walked slowly upstairs to her bedroom and pulled the sketch pad out of her schoolbag. Then her eye fell on the photograph, lying just where she and Sam had left it, with the face of little Maisie Holt shining out like a bright candle from the somber darkness of the unsmiling figures surrounding her.
Of course! She had found her subject. Just for a second she hesitated, torn between memory of the awful thing in the loft and the immediate, urgent desire to do what she loved best. Then she picked up the photograph, seized her sketch pad, and ran back downstairs.
Mom looked up and smiled as Hannah entered the room.
Settling herself into the chair, she took a long, searching look at the face before her. Again she was struck by its intelligence and vitality. Could she get that onto the page?
But as soon as her pencil began