tired of those two-and-twenty misfortunes themselves. Why wouldn’t he be? They began further back than he could remember (so he was forever being told), they had come to be expected by everyone in the family (Don wasn’t running true to form, something was amiss, if he came through an experience without damage); so that by the time the fraternity shock sent him reeling, the two-and-twenty seemed but a preliminary warm-up. All the woeful errors of childhood and adolescence came to their crashing climax at seventeen. They gathered themselves for a real workout inthe passionate hero-worship of an upperclassman during his very first month at college, a worship that led, like a fatal infatuation, to scandal and public disgrace, because no one had understood or got the story straight and no one had wanted to understand, least of all the upperclassman who emerged somehow as a hero, now, to the others—why, he would never know.… He had survived (didn’t one always?). The experience had left him reeling for a couple of years, sent him reeling back home with the resolve never again to leave the security and safety of his hometown where everybody knew him and had always known him; but after that couple of years, the shock had paled and receded in the back of his mind till he was able to tell himself that the only thing he regretted was that he had left behind and lost forever his precious marked copy of
Macbeth
that day he was ushered out of the Kappa U house for good and all.… That’s what he was able to tell himself; but when he left home and tried his wings again, he knew only too well that he lived unconsciously in perpetual dread of one day meeting up face to face with one of those thirty-six erstwhile brothers, perpetual fear of running into any of the thousand other students to whom he was guilty if they believed he was guilty. It was a dread that he fully understood, but which carried so many other fears in its wake that he had never been able to free himself of anxieties since his seventeenth year.
These were not the fancied fears that had become fashionable, lately, among his class and his generation. Quick to spot the fake in others as in himself, he had only contempt for those fondly-cherished phobias which drove their nourishers to dangerous distraction when they heard whip-poor-wills, which prevented them from sitting in crowded theaters or entering subways, which kept them forever in the country or forever in the city, which forbade them eating anything but ice cream ever, which allowed them to hear only a very little bit of fine music at one time (a whole symphony at a sitting was more than one could bear and to hell with the composer’s design), and which culminated in what their creatorsshyly-proudly spoke of as their “weekend psychoses,” meaning nothing more than boredom and irritation at having to spend two days at home with their wives and children. These carefully nurtured aberrations were supposed to signify a refinement and sensitivity superior to the temperament (or lack of it) of maddeningly well-balanced mates; in reality, they provided a compensation and screen to frustration, inferiority, and failure.
He was a fine one to speak of failure, of course. From childhood his record had been one of opportunities missed (on purpose?), excited but half-hearted attempts at finding the right niche (with always the next niche a better one), moves to a new city or new state or even new country where certainly things would be better or at least different, returns home to renew himself, to find again the native stimuli that never existed, to seek the old roots. Excuses, excuses, literary at that. He had repeatedly and purposely destroyed every opportunity that ever came his way, and this pattern went as far back as he could remember. His history of defeat was so consistent that he could almost point with pride to the fact that his Algebra teacher had snarled at him savagely, before the whole class, “Don
Mandy M. Roth, Michelle M. Pillow