Free Selected Tales (Oxford World's Classics) by Edgar Allan Poe Page B

all—oh, above all—in the phrases and expressions of the dead on the lips of the loved and the living, I found food for consuming thought and horror—for a worm that
would
not die.
    Thus passed away two lustra of her life, and, as yet, my daughter remained nameless upon the earth. ‘My child’ and ‘my love’ were the designations usually prompted by a father’s affection, and the rigid seclusion of her days precluded all other intercourse. Morella’s namedied with her at her death. Of the mother I had never spoken to the daughter;—it was impossible to speak. Indeed, during the brief period of her existence the latter had received no impressions from the outward world save such as might have been afforded by the narrow limits of her privacy. But at length the ceremony of baptism presented to my mind, in its unnerved and agitated condition, a present deliverance from the terrors of my destiny. And at the baptismal font I hesitated for a name. And many titles of the wise and beautiful, of old and modern times, of my own and foreign lands, came thronging to my lips, with many, many fair titles of the gentle, and the happy, and the good. What prompted me, then, to disturb the memory of the buried dead? What demon urged me to breathe that sound, which, in its very recollection was wont to make ebb the purple blood in torrents from the temples to the heart? What fiend spoke from the recesses of my soul, when, amid those dim aisles, and in the silence of the night, I whispered within the ears of the holy man the syllables—Morella? What more than fiend convulsed the features of my child, and overspread them with hues of death, as, starting at that scarcely audible sound, she turned her glassy eyes from the earth to heaven, and, falling prostrate on the black slabs of our ancestral vault, responded—‘I am here!’
    Distinct, coldly, calmly distinct, fell those few simple sounds within my ear, and thence, like molten lead, rolled hissingly into my brain. Years—years may pass away, but the memory of that epoch—never! Nor was I indeed ignorant of the flowers and the vine—but the hemlock and the cypress overshadowed me night and day. And I kept no reckoning of time or place, and the stars of my fate faded from heaven, and therefore the earth grew dark, and its figures passed by me, like flitting shadows, and among them all I beheld only—Morella. The winds of the firmament breathed but one sound within my ears, and the ripples upon the sea murmured evermore—Morella. But she died; and with my own hands I bore her to the tomb; and I laughed with a long and bitter laugh as I found no traces of the first, in the charnel where I laid the second—Morella.

LIGEIA
    And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield himself to the angels, nor unto death utterly, save only through the weakness of his feeble will.
    J OSEPH G LANVILL *
    I CANNOT , for my soul, remember how, when, or even precisely where, I first became acquainted with the lady Ligeia. Long years have since elapsed, and my memory is feeble through much suffering. Or, perhaps, I cannot
now
bring those points to mind, because, in truth, the character of my beloved, her rare learning, her singular yet placid cast of beauty, and the thrilling and enthralling eloquence of her low musical language, made their way into my heart by paces so steadily and stealthily progressive that they have been unnoticed and unknown. Yet I believe that I met her first and most frequently in some large, old, decaying city near the Rhine. Of her family—I have surely heard her speak. That it is of a remotely ancient date cannot be doubted. Ligeia! Ligeia! Buried in studies of a nature more than all else adapted to deaden impressions of the outward world, it is by that sweet word alone—by Ligeia—that I bring before mine eyes in fancy