Ms. Herschel said. âHave a seat.â
As Taz walked to his seat, he looked first at Edgar and then at Destiny.
He got the note and knows we wrote it! I can tell! And heâs excited there was another crime, too! Isnât it amazing how much eyeballs can say?
âWhere have you been?â Patrick whispered to Taz.
âNone of your business,â Taz said.
Edgar was dying to ask Taz the same thing and to find out if Bandit was feeling better. He also thought that maybe Taz and Destiny would be interested in his theory about Ms. Herschel being a coffee hog and the thief being another teacher who was taking revenge, but Ms. Herschel interrupted his thoughts by beginning the dayâs lesson.
I could get a lot more done in school if there wasnât so much school work to do.
CHAPTER NINETEEN
âSo where were you between 8:20 and 9:00, Taz?â Patrick glued himself to Tazâs side as the class walked from math to language arts.
âAt the dentist,â Taz said.
Edgar chimed in. âSo that means Taz couldnât have committed the crime, Patrick. Your theory is blown.â
Patrick threw him a look. âHe
says
he was at the dentist.â
âSmell my strawberry-flavored fluoride!â Taz breathed on Patrick.
Edgar laughed.
Mr. Crew was waiting at his door. âAny more clues or evidence?â
âIâm working on it,â Patrick said.
âI guess you need a new theory,â Edgar said, enjoying Patrickâs look of annoyance.
As they took their seats, Destiny said, âMr. Crew, I was thinking about the poem that the thief left this time. I think maybe the thief wants to get caught.â
âWhy do you say that?â
âItâs like the poet wants to tell us in the poem that he or she is the thief.â
âI agree,â the teacher said. âIt almost sounds like a confession. Sometimes itâs easier to write down things that you canât say out loud. How many of you agree?â
Many hands went up.
Mr. Crew smiled. âA poem is a way to express yourself. Some poetry is called âconfessional poetryâ because the poet is really confessing a deep emotion in the poem. You can use poetry to get something off your chest.â
Like when a teacher writes a love poem for a custodian, Edgar thought.
âToday weâre going to work completely independently,â Mr. Crew continued. âWhat I want you to do first is spend a little time reading some poems by other poets, . . .â he pointed to his bookshelves filled with poetry books in the back of the room, âand see if you can find any poems that seem to express some kind of deep emotion or say something that the poet may have had a hard time saying out loud. Then I want you to experiment. Write something of your own. And hereâs whatâs different: You donât have to turn this one in. You may share it if you want, but you donât have to.â
âCan it be deep and funny at the same time?â Taz asked.
âThereâs always a place for humor.â
âIf we donât have to turn it in, we could just sit here all period and scribble,â Sammy said with a grin.
Mr. Crew shrugged. âIâll take that risk. I want you to experience the idea that poetry can be helpful to you, a way to express yourself even if nobody reads it but you. Go back and pick out a book to give you some inspiration.â
The students picked out books and brought them backto their desks and began reading quietly. Edgar looked around the room. He was dying to know what was on each personâs mind.
The room was hushed. The idea of taking time in school to write something that didnât even have to be turned in had a different feel to it. It somehow seemed less like work and more like . . . real life.
When Edgar was in the middle of his second draft, Taz walked by to sharpen his pencil. He dropped off a note.
To Edgar