The Journeying Boy

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Authors: Michael Innes
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remember how people do behave in a cinema – and particularly there. Lovers embrace and fondle each other in the darkness–’
    ‘That’s deplorably true.’ The manager had assumed an expression of refined repugnance. ‘With a little care, this bold rifling of the body could be made to bear the appearance of mere amorous dalliance. What a splendid point for the Sunday papers that will be.’
    Cadover frowned. ‘Initials? Laundry marks?’
    ‘Yes, sir.’ The sergeant nodded. ‘Several of the undergarments have the initials P C.’
    Once more the slinky young man giggled. ‘I don’t suppose that they could stand for Police Constable, could they?’
    The manager looked offended. ‘Really, Louis, this is no occasion for unfeeling jokes. A hard-boiled attitude is quite out of place.’ The manager lit a cigarette, strolled across the room, and glanced indifferently down at the body. ‘About thirty, would you say? And a military type. Nothing like the Army for wiping off an individuality a face may once have been blessed with. You could pick half a dozen almost identical young officers out of any line regiment.’
    This was true. For that sort of identification which is sometimes achieved with the aid of smudgy photographs exhibited outside police-stations or in the Press there could scarcely, Cadover reflected, be a less promising subject. Not that it ought to come to that. Perhaps, within a few hours, and almost certainly within a few days, there would be a link-up with one of the endless inquiries after missing persons that flow in upon the Metropolitan Police. A body not ultimately thus identified would be a rarity indeed… He turned to the sergeant. ‘Everything been done here?’
    ‘Yes, sir. And Inspector Morton is in a room just opposite.’
    ‘I’ll see him now. Have the body removed.’ Cadover nodded curtly to the manager and walked out. The foyer was crowded. Plutonium Blonde was over. The evening’s final showing of the programme was about to begin.
     
    Inspector Morton was interviewing a succession of girls dressed in bell-bottomed white trousers and enormous scarlet bows. Two constables were making shorthand notes and another was recording the proceedings on a dictaphone. The room was a humbler version of that occupied by the manager, and there was another Dürer engraving on the wall. Perhaps it belonged to the slinky young man called Louis.
    ‘All we found.’ Inspector Morton had interrupted himself to jerk a thumb at a table behind him. Cadover crossed to it and saw a bunch of keys, a pile of loose change, and a pocket diary.
    ‘Finger-prints?’
    ‘Been attended to. The diary was in the hip-pocket and must have been missed when the body was rifled. It has a few interesting scribbles.’ Morton turned back to the girl before him.
    Cadover picked up the diary. It was new and at a first glance appeared entirely unused. He turned to the page for that day. Scrawled in pencil he read:
     
    gun for boy 1.15.
     
    He turned to the preceding page and found:
     
    N I police re guns etc.
    Light railway from Dundrane
     
    Two days earlier he found:
     
    Bolderwood
    Hump
     
    He continued to search. Throughout the diary there was only one other entry. It occurred six days before and read:
     
    Smith’s 7.30
     
    Cadover put down the diary, picked up the bunch of keys, and examined them carefully one by one. Then he did the same with the little pile of silver and copper coins. One florin he inspected for some time. Then he turned round. A pair of sailor’s trousers – very tight above and baggy below – was swaying from the room, and Inspector Morton was staring at this departure in unflattering absence of mind. ‘Cadover,’ he said, ‘do you think it might be terrorists?’
    ‘No.’
    Morton sighed. ‘It was easy to do, and the setting will give it sensational value. But no doubt you’re right. Some of these girls are far from being fools. A lot behind, but something on top as well.’ Morton

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