clamps his hand over Skeezerâs mouth, quickly. The officer shakes his head.
âIs there a problem officer?â Mona asks, trying to deflect any attention away from her ridiculous bandmates.
âItâs Detective Morris, and there may be,â the large man says. Without another word, the detective pulls out a cell phone. He holds up his finger indicating that the band should wait. He dials a number and holds the phone aloft.
A cell phone rings in the dressing room. Rickyâs pocket lights up like a glow stick is inside.
Ricky slowly fishes the phone out of his pocket as the detective stops the call.
Mona and Michael turn to look at Ricky. Skeezer moves in behind the guitarist in a cowardâs show of solidarity.
The detective grunts and shakes his head. âI just dialed a number from Monty Reignsâ cell phone bill and, oddly enough, it belongs to you.â
Michael glares at Ricky. âWhat the fuck, dude?â
Rickyâs mouth opens and closes. Nothing comes out.
âThe shit part is that Reigns was found dead last night.â
The band turns to the detective. Ricky manages to find his voice. âWhat?â
Morris pulls over a stack of milk crates and sits down, positioning himself between the band and the door.
âI was curious as to why you would call him the night he died,â he says. âYou donât seem to run in the same social circles.â
Mona and Michael turn on Ricky, pushing close into the guitaristâs face.
âYeah, Ricky?â Michael spits out. âCouldnât be you supplying that asshole with all the info and footage?â
âIâ¦Iâ¦I just wanted some press for the band, man! This show is huge and we could sign a deal here!â
Michael starts forward, angry and hell bent on revenge. Mona stops him.
âYou bastard,â is all that Michael can get out. Michael shrugs off Monaâs hand. He turns and pushes around the detective and out the door. Morris watches him go, uninterested.
Mona shoots a look at Ricky and Skeezer that communicates pure venom. âNice,â she says right before following Michael out. Morris lets her go too.
âIt was his idea,â Skeezer calls out after her.
Chuckling, Morris stands and looks down at Ricky and Skeezer. The two of them cower, barely able to make eye contact with the imposing officer.
âSounds like youâve got a story for me,â he says and pulls a notebook and pen from his back pocket.
The detective scribbles the last of the notes into the little notebook and reads over what he had just written. He shakes his head, trying to process the information.
In front of him, sheepish and on the verge of tears, Ricky and Skeezer are still on the milk crates. They have their hands in their laps. If it werenât for the garish costumes they would look like obedient school boys.
âSo, you mean to tell me that you were calling the victim for press for your band, nothing else?â
Shame prevents Ricky and Skeezer from looking at the detective.
âYes, sir,â Ricky manages.
âAnd you had no qualms selling out your friend?â
Skeezer sighs. Ricky looks up at this, trying to meet the officerâs gaze.
âSirâ¦we had no idea it was that bad. We never would have done it ifâ¦â
Morris cuts him off. âRight.â He finishes his notes and stuffs the notebook into his back pocket. âIâm going to find your friends and get the real scoop on this. So far it doesnât appear like you guys had a reason to knock off Reignsâ¦â
The pair of them look up, eagerly. âNo sir!â Ricky blurts out.
âBut, your pal Michael has a legitimate motive. I hope to God that you didnât start something that he finished.â
Ricky and Skeezer turn toward one another. That was a possibility they had never considered.
âIâll be back,â the detective announces before turning and leaving the
Angela B. Macala-Guajardo