DYE!
Still
Tugging my forelock fathoming Xenophon
grimed Greek exams with grease and lost me marks,
so I whisper when the barber asks
Owt on
?
No, thank you!
YES! Dad’s voice behind me barks.
They made me wear dad’s hair-oil to look ‘smart’.
A parting scored the grease like some slash scar.
Such aspirations hair might have for ART
were lopped, and licked by dollops from his jar.
And if the page I’m writing on has smears
they’re not the sort to lose me marks for mess
being self-examination’s grudging tears
soaked into the blotter, Nothingness,
on seeing the first still I’d ever seen
of Rudolph Valentino, father, O
now,
now
I know why you used
Brilliantine
to slick back your black hair so long ago.
A Good Read
That summer it was Ibsen, Marx and Gide.
I got one of his you-stuck-up-bugger looks:
ah sometimes think you read too many books.
ah nivver ’ad much time for a good read.
Good read! I bet! Your programme at United!
The labels on your whisky or your beer!
You’d never get unbearably excited
poring over Kafka or
King Lear.
The only score you’d bother with ’s your darts,
or fucking football …
(All this in my mind.)
I’ve come round to your position on ‘the Arts’
but put it down in poems, that’s the bind.
These poems about you, dad, should make good reads
for the bus you took from Beeston into town
for people with no time like you in Leeds –
once I’m writing I can’t put you down!
Isolation
I cried once as a boy when I’d to leave her
at Christmas in the fourth year of the War,
taken to Killingbeck with scarlet fever,
but don’t cry now, although I see once more
from the window of the York–Leeds diesel back
for her funeral, my place of quarantine,
and don’t, though I notice by the same railtrack
hawthorns laden with red berries as they’d been
when we’d seen them the day that we returned
from the hospital on this same train together
and she taught me a country saying that she’d learned
as a child:
Berries bode bad winter weather!
and don’t, though the fresh grave’s flecked with sleet,
and dad, with every fire back home switched on, ’s
frozen,
and don’t,
until I hear him bleat
round the ransacked house for his long johns.
Continuous
James Cagney was the one up both our streets.
His was the only art we ever shared.
A gangster film and choc ice were the treats
that showed about as much love as he dared.
He’d be my own age now in ’49!
The hand that glinted with the ring he wore,
his
father’s, tipped the cold bar into mine
just as the organist dropped through the floor.
He’s on the platform lowered out of sight
to organ music, this time on looped tape,
into a furnace with a blinding light
where only his father’s ring will keep its shape.
I wear it now to Cagneys on my own
and sense my father’s hands cupped round my treat –
they feel as though they’ve been chilled to the bone
from holding my ice cream all through
White Heat
.
Clearing
I
The ambulance, the hearse, the auctioneers
clear all the life of that loved house away.
The hard-earned treasures of some 50 years
sized up as junk, and shifted in a day.
A stammerer died here and I believe
this front room with such ghosts taught me my trade.
Now strangers chip the paintwork as they heave
the spotless piano that was never played.
The fingerprints they leave mam won’t wipe clean
nor politely ask them first to wipe their boots,
nor coax her trampled soil patch back to green
after they’ve trodden down the pale spring shoots.
I’d hope my mother’s spirit wouldn’t chase
her scattered household, even if it could.
How could she bear it when she saw no face
stare back at her from that long polished wood?
II
The landlord’s glad to sell. The neighbourhood,
he fears, being mostly black, ’s now on the skids.
The gate my father made from