noonday silence and glare the river road was like a snake twining into the shade of the weeds, as it wended below uneven elms and clumps of wild apple, sumach, and elderberry in the fence corners. The road made Richard silent, perhaps with a memory of his walk along it the afternoon before and the night before, perhaps with the memories of earlier times.
SEVEN
U nder this white glare of sunlight the Lethen place was appreciably less ominous and more dilapidated than it had appeared the previous night. The very trees edging the lawn at the road and along the drive seemed veterans recalling many storms. Rust-coloured needles and rotting cones were strewn beneath the evergreens in arcs which encroached upon the uneven and tufted grass. The brick gables of the house above the Virginia creeper were bleached and eroded of mortar like the face of a harridan washed of paint in the morning light. The roof, dirt-coloured shingles edged with green, looked water-soaked, and as they walked toward it Richard Milne could see a thread of sky through the top of an ornate, tall, ochre chimney.
“Your house doesn’t seem to change,” he remarked, grasping at symbolism as he spoke, “but still it does. It’s becoming more dilapidated and worn, more forsaken-looking every year.”
“Ah, forsaken.” She laughed. “At any rate you don’t say, as almost anyone else would, that it looks smaller than your memories of it.”
“No, not smaller. Nothing connected with it could dwindle.” He brought the implication to light.
Ada Lethen sighed, and they walked up the damp and shady lane in silence, turned across the unfenced lawn, and stood on the patch of grass, which was turning yellow from exposure to the sun, before the veranda.
“Come right in,” said Ada, as he hesitated on the sagging veranda. “It’s time I got dinner. Or would you rather wait here?”
He shook his head, and they went into a front room of indeterminate size and character, until his eyes became used to the dimness. Vague huge patterns adorned the wallpaper; the carpet was green, with great yellow scrollings. A sewing-machine stood in one corner, and in another stood a wood-burning stove without a pipe. Above was the hole in the ceiling through which it would have to reach the chimney, and glancing up, Richard Milne fancied that he heard a hasty stirring, silenced at once. Ada had retreated to the back of the house, after having murmured something about her mother. The young man crossed his knees and prepared to look as much more at ease than he felt, as the impending presence of Mrs. Lethen would allow.
Until now he had not noticed the table, perhaps because, directly before him, it was too obvious. A large square dining-table, covered with a dark chenille cloth extending in shadowy pattern almost to the floor. On the cloth rested two large bowls, bearing each three bulbs of white narcissus, all in flower, and nicely arranged with the tallest in the middle of each bowl. The brilliance of these flowers, hard as flame for all their whiteness, seemed to diffuse a certain radiance throughout the dim room, with its two windows latticed by the creeping vine. The window-sills themselves, he noticed,each bore more bulbs, and the sewing-machine in the corner must have had one, but for the necessity of use, for it was opened, and on a chair beside it stood still another vase.
A gaunt, pale woman entered at this moment, and it was with something like terror in his surprise that Richard rose, facing her haggard and piercing eyes, even as Ada appeared behind her.
She grasped his hand, holding it high and limply for an instant, and then dropped it. Something made Ada speak, as though the two were strangers newly met.
“Mr. Milne has consented to stay to dinner with us, but I’m afraid he’ll have a little wait, for I’ve just put the potatoes on to boil. I spent too long on my walk, it seems. But we’ll be alone.”
The woman peered into his face quickly, but