as?â
âWell, for example, itâs used to extract gold from ore. Itâs also used in metal plating, and as a fumigant, and to manufacture phosphoric acid from bones,â I said. âIn other words, anyone from a jeweler to a worker in an industrial plant to an exterminator could have access to cyanide. Plus, youâre going to find it and hydrochloric acid in any chemical lab.â
âWell,â it was Marino who spoke, âif someone poisoned Eddings, then they had to know he was going to be out in his boat. They had to know where and when.â
âSomeone had to know many things,â I agreed. âFor example, one would have had to know what type of breathing apparatus Eddings planned to use because had he gone down with scuba gear instead of a hookah, the MO would have had to be entirely different.â
âI just wish we knew what the hell he was doing down there.â Marino opened the screen to tend to the fire.
âWhatever it was,â I said, âit seems to have involved photography. And based on the camera equipment it appears he had with him, he was serious.â
âBut no underwater camera was found,â Lucy said.
âNo,â I said. âThe current could have carried it anywhere, or it might be buried in silt. Unfortunately, the kind of equipment he apparently had doesnât float.â
âI sure would like to get hold of the film.â She was still looking out at the snowy night, and I wondered if she was thinking of Aspen.
âOne thingâs for damn sure, he wasnât taking pictures of fish.â Marino jabbed a fat log that was a little too green. âSo that pretty much leaves ships. And I think he was doing a story somebody didnât want him to do.â
âHe may have been doing a story,â I agreed, âbut that doesnât mean itâs related to his death. Someone could have used his being out diving as an opportunity to kill him for another reason.â
âWhere do you keep the kindling?â He gave up on the fire.
âOutside under a tarp,â I answered. âDr. Mant wonât allow it in the house. Heâs afraid of termites.â
âWell, he ought to be more afraid of the fires and wind shear in this dump.â
âIn back, just off the porch,â I said. âThanks, Marino.â
He put on gloves but no coat and went outside as the fire smoked stubbornly and the wind made eerie moaning sounds in the leaning brick chimney. I watched my niece, who was still at the window.
âWe should work on dinner, donât you think?â I said to her.
âWhatâs he doing?â she said with her back to me.
âMarino?â
âYes. The big idiotâs gotten lost. Look, heâs all the way up by the wall. Wait a minute. I canât see him now. He turned his flashlight off. Thatâs kind of weird.â
Her words lifted the hair on my neck and instantly I wason my feet. I dashed into the bedroom and grabbed my pistol off the nightstand. Lucy was on my heels.
âWhat is it?â she exclaimed.
âHe doesnât have a flashlight,â I said as I ran.
chapter
4
I N THE KITCHEN , I flung open the door leading to the porch and ran into Marino. We almost knocked each other down.
âWhat the shit . . . ?â he yelled behind a load of wood.
âThereâs a prowler,â I spoke with quiet urgency.
Kindling thudded loudly to the floor and he ran back out into the yard, his pistol drawn. By now, Lucy had fetched her gun and was outside, too, and we were ready to handle a riot.
âCheck the perimeter of the house,â Marino ordered. âIâm going over here.â
I went back in for flashlights, and for a while Lucy and I circled the cottage, straining eyes and ears, but the only sight and sound was our shoes crunching as we left impressions in the snow. I heard Marino decock his pistol as we reconvened in deep