your scurrilous brother Samuel.â
âTrue, but I also said I know all his tricks. And yours.â She crossed her arms over her chest defensively. âIf weâre in a room in the manor and you misbehave, I can always call for a servant.â
âIf youâre naïve enough to think that threatening to call a servant would save you from seduction, then you donât know any manâs tricks,â he said dryly.
That seemed to give her pause. As well it should. âBut if you try anything with me, you wonât get yourpainting. And surely thatâs more important to you than attempting to bed one more woman in a long string of them.â
âOf course,â he said with a smooth smile.
She was rightâit should be. Unfortunately, she didnât realize what a potent enchantress she was. The prospect of painting her while she was dressed in a flimsy costume had him fairly salivating.
Being alone with her at night for hours on end would be tempting fate. So of course, he must do it. Heâd never been one to back down from a challenge.
âVery well,â he said, âweâll work while everyone else sleeps. But this room wonât do. Itâs fine for the portrait, but the thing that makes it perfect for painting in the daytime will make it disastrous for our evening trysts.â
He gestured to the windows with their flimsy net curtains. âIâll need plenty of candles, lamps, and firelight to see by, and that will give away our presence to anyone who passes by belowâservants, grooms, local populace. Not to mention your brother. Someone might come to investigate.â
âThatâs true.â Her brow furrowed. âWe need something more secluded and private, but indoors. Perhaps down the hall?â
âItâll need to be far away from your brotherâs bedchamber or heâll hear us.â
âTrue.â Wandering out of the room, she looked around. âEdwinâs suite is on this floor, as is yours. We canât use the library, because Edwin likes to go in there when he canât sleep. On the floor above, where my bedchamber and the others are, there might be a spare sitting room we could use.â
âToo small.â He peered up the open well of the staircase. âWhatâs on the floor above that?â
She tensed. âNothing, really. Just the old nursery and schoolroom.â
âThe schoolroom might do.â Without waiting for her, he strode up the stairs.
âIt isnât ever used,â she protested as she hurried after him. âI canât even remember the last time a fire was laid in the hearth.â
âAs long as the fireplace still draws, it should be fine.â
When they reached the top floor, he paused to look around, seeing only a series of closed doors. âWhich room is it?â
Looking oddly reluctant, she meandered to the end of the carpeted hall and flung a door open. âHonestly, I donât thinkââ
But he was already stalking past her and into the room. A drugget covered the floor and Holland cloths draped the furniture, supporting her assertion that the room wasnât used. A globe sat bare and forgotten in a corner, a blackboard hung on the wall, and a few spindly chairs were scattered about.
Best of all, in the center of the room stood a massive oak table that had obviously been deemed too marred by scratches and stains to warrant protecting. It could serve as an altar if he covered it with white fabric.
He ran his hand over the dusty surface. A pity he couldnât use it as it was. The wood had stories to tell; he could practically hear it calling to him. But the altarâs surface must be pale enough to show theblood that he would paint coursing down from his sacrifice.
His beautiful, provocative sacrifice, who remained frozen in the doorway, clearly uncertain of his choice. âSurely you donât think this will
M. Stratton, Skeleton Key