ice pick jockeyâs final ride.
The heart attack had not been planned.
He saw my eyes and tried to stand.
My satin skin becomes the coffin
The taxidermist got it off in.
He stuffed me, made me lifelike. Fatten
My corpse in satin in Manhattan!
My body was flash-frozen. God,
I am a person who is odd.
I am the ocean and the air.
Iâm acting out. I cut my hair.
You like the way I do things, neat
Combined with craziness and heat.
My ninety-eight point six degrees,
Warehousing decades of deep freeze,
Can burst out curls and then refreeze
And have to go to bed but please
Donât cure me. Sickness is my me.
My terror was youâd set me free.
My shrink admired you. He could see.
Sex got me buzzing like a bee
With Parkinsonâs! Catastrophe
Had slaughtered flowers on the tree.
My paranoia was revived.
I love it downtown and survived.
I loved downtown till the attack.
Love Heimliched me and brought me back.
You brought me life, glued pollen on
My sunblock. Happy days are gone
Again. My credit cards drip honey.
The tabloids dubbed me âMaid of Money.â
Front-page divorce is such a bore.
I loathed the drama they adore.
You didnât love me for my money.
You made the stormy days seem sunny.
Â
BREAST CANCER
The intubated shall be extubated and it rains green
Into the uptown air because it is almost raining.
You can smell the sidewalks straining.
The side streets are contagious but serene.
The disease is nutritious.
The bitter medicine delicious.
The beautiful breasts are repetitious.
The much older man you love is vicious.
The man will be even older by the time
She takes down the book to read the poem.
Â
RILKE
As he approaches each tree goes on,
And the girls one by one
Glance down at their blouses. A nun,
Then six or seven, hop in
A cream station wagon,
White-beaked blackbirds baked in a pie.
In his mind is
The lid of an eye
The dark dilated closing behind him.
Rilke. Arched eyebrows and shadowed
Moist eyes. An El Greco. Swart, slim.
Heâs late to her. He thinks of her, waiting,
Limb by limb.
Her defenselessness and childlike trust!
Smiling to be combed out
And partedâand her lust
Touching the comb like a lyre.
To have been told by her not to trust her!
And he distrusts her.
And everywhere he sees
Hunchbacks and addicts and sadists
In braces in the cities,
Roosting in their filth,
Or plucking the trees,
In New York for true love,
In Boston for constancy.
You can be needed by someone
Or needy, thinks Rilke.
They clutch their loves like addicts
Embracing when they see
Hot May put out her flowers.
Or clutch themselves. They canât shake free.
He thinks of the time
He lived by her calendar
When she missed her time.
She gave the child a name.
When she bled, she laughed and gasped
Tears warm as pablum
On his wrists. But that is past.
Rilke feels his body
Moving in front of his last
Step. He sweats, and thinks
Of the rubble massed
On Creusa behind Aeneasâs
White-hot shoulders and neck.
Addresses
And clothesline laundry swelled
Like pseudocyesisâ
Thatâs what he has to pass through.
His tie is her blue,
And a new lotion gives him an air
Of coolness. He combs his hair,
And tries to smooth his hair.
Heâll
be there,
The husband. Sheâll have left him asleepâ
A nap, beyond the top stair,
In darkness.
Light, light is in the trees
Pizzicato, and mica
Sizzles up to his knees.
A dozen traffic lights
Swallow and freeze
And one by one relay red red
Like runners with a blank message.
I hate her, I hate her, he said
A minute ago. Curls cluster
Rilkeâs dark head.
Â
CASANOVA GETTING OLDER
Do they think they are being original when they say
This is a new thing for me to ask, and ask
Do you love me?
Everyone these days keeps asking
Do you love me?
Everyone says
This is a new thing for me to ask.
The answer is yes.
This is a new thing for me to ask.
The answer is