Free The Night and The Music by Lawrence Block Page B

You know, Matt, people don’t like to look at a derelict. That building up the block, the Towers? There’s this grating there where the heating system’s vented. You remember how the guys would sleep there in the winter. It was warm, it was comfortable, it was free, and two or three guys would be there every night catching some Z’s and getting warm. Remember?”
    “Uh-huh. Then they fenced it.”
    “Right. Because the tenants complained. It didn’t hurt them any, it was just the local bums sleeping it off, but the tenants pay a lot of rent and they don’t like to look at bums on their way in or out of their building. The bums were outside and not bothering anybody but it was the sight of them, you know, so the owners went to the expense of putting up cyclone fencing around where they used to sleep. It looks ugly as hell and all it does is keep the bums out but that’s all it’s supposed to do.”
    “That’s human beings for you.”
    He nodded, then turned aside to sell somebody a Daily News and a Racing Form. Then he said, “I don’t know what it is exactly. I was a bum, Matt. I got pretty far down. You probably don’t know how far. I got as far as the Bowery. I panhandled, I slept in my clothes on a bench or in a doorway. You look at men like that and you think they’re just waiting to die, and they are, but some of them come back. And you can’t tell for sure who’s gonna come back and who’s not. Somebody coulda poured gas on me, set me on fire. Sweet Jesus.”
    “The shopping bag lady — ”
    “You’ll look at a bum and you’ll say to yourself, ‘Maybe I could get like that and I don’t wanta think about it.’ Or you’ll look at somebody like the shopping bag lady and say, ‘I could go nutsy like her so get her out of my sight.’ And you get people who think like Nazis. You know, take all the cripples and the lunatics and the retarded kids and all and give ‘em an injection and Good-bye, Charlie.”
    “You think that’s what happened to her?”
    “What else?”
    “But whoever did it stopped at one, Eddie.”
    He frowned. “Don’t make sense,” he said. “Unless he did the one job and the next day he got run down by a Ninth Avenue bus, and it couldn’t happen to a nicer guy. Or he got scared. All that blood and it was more than he figured on. Or he left town. Could be anything like that.”
    “Could be.”
    “There’s no other reason, is there? She musta been killed because she was a bag lady, right?”
    “I don’t know.”
    “Well, Jesus Christ, Matt. What other reason would anybody have for killing her?”
    The law firm where Aaron Creighton worked had offices on the seventh floor of the Flatiron Building. In addition to the four partners, eleven other lawyers had their names painted on the frosted glass door. Aaron Creighton’s came second from the bottom. Well, he was young.
    He was also surprised to see me, and when I told him what I wanted he said it was irregular.
    “Matter of public record, isn’t it?”
    “Well, yes,” he said. “That means you can find the information. It doesn’t mean we’re obliged to furnish it to you.”
    For an instant I thought I was back at the Eighteenth Precinct and a cop was trying to hustle me for the price of a new hat. But Creighton’s reservations were ethical. I wanted a list of Mary Alice Redfield’s beneficiaries, including the amounts they’d received and the dates they’d been added to her will. He wasn’t sure where his duty lay.
    “I’d like to be helpful,” he said. “Perhaps you could tell me just what your interest is.”
    “I’m not sure.”
    “I beg your pardon?”
    “I don’t know why I’m playing with this one. I used to be a cop, Mr. Creighton. Now I’m a sort of unofficial detective. I don’t carry a license but I do things for people and I wind up making enough that way to keep a roof overhead.”
    His eyes were wary. I guess he was trying to guess how I intended to earn myself a fee out of