is âpatricianâ because theyâre obviously not.
âPhew,â Billy whispers, âget the cut of that cashmere. Overcoats like that mean serious real estate.â
I nod, but the truth is, neither the man nor his overcoat interest me. Itâs her I keep looking at. Everything about the woman from the apartment opposite is curved, from the ample rise of her chest, to her hips, to the curls of pale colourless hair that fall over the black collar of her coat. Her cheeks are round and still slightly flushed, as if she has been crying since yesterday, and the child she pushes looks way too old to be in a stroller. Six or seven at least and dark like his father, the little boy sits staring straight ahead. Wrapped in a scarf and coat and hat, as if this is the Arctic winter instead of spring in Florence, he looks like a large doll, a boy made of wax. To be honest, he looks not quite human.
âThe kid looks kind of retarded,â Billy whispers.
We watch as they draw parallel to us, fascinated and slightly guilty because we know something about them the rest of the world doesnât. Out here, theyâre a nice young family; handsome, prosperous father and plump, pink-cheeked mother taking their little doll boy for a stroll. But behind the walls of our palazzo, weâve heard them shriek and call each other names.
âSheâs pretty,â Billy murmurs, âbut sheâs fat. I never noticed before that she was fat. I bet heâs having an affair,â she adds. âI bet thatâs it.â
Billy lowers her voice, even though thereâs no earthly way they could hear us. âI think itâs the kid,â she says. âI mean, look at him. I bet heâs one of those guys who just canât stand kids that have something wrong with themâyou know, perfection freaks. Or,â she whispers, âmaybe he doesnât like fat. If she got her act together, fixed her hair and lost fifteen pounds, he probably wouldnât screw around.â She shrugs, losing interest. âI mean, with a body like that,â she says, âwhat do you expect? Guys like perfection, or at least something close to it, you know?â
âYeah? Well, not everyone can be as perfect as you! Some people donât have that choice!â
The words come out before I even realize Iâve said them, fast and harsh, and I feel myself blush, feel the colour rising up under my turtleneck and flooding into my face. The couple and the child have passed us by now, but I watch resolutely until theyâre swallowed in the crowd, and finally I have no alternative but to look back at Billy.
I donât know what I expect to see. Shame? Some token effort to be contrite? It isnât there. Instead, her eyes are glittering. A tiny smile twitches at the corner of her mouth. The way sheâs looking at me reminds me uncomfortably of a child who has just lifted up a rock and seen something pale and naked wriggling underneath. Billy opens her mouth and closes it again, silently, like one of the fish. Then she says suddenly, âI have always wanted one of these.â She turns towards the jewellerâs window immediately beside us. âLook.â Billy taps her nail on the glass, pointing to a tray of rings. âDonât you think theyâre absolutely gorgeous?â she asks.
The rings are thin gold bands, intertwined to hold a pair of gemstone hearts, each a different colour. The stones sparkle under the lights, aquamarine and topaz, fire opal and amethyst, garnet and citrine.
âTheyâre beautiful.â I mumble. And I try to look as if Iâm seriously studying the heart rings, instead of watching Billyâs reflection in the glass, and the tiny knowing smile that flutters across her lips.
Chapter Five
B Y THE TIME we arrive at the bar the big mushroom heaters have been turned on. Fairy lights lace through the trees and floodlights hit the blank façade of
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain