theyâll help her.â
âShe was OK when she wuz here,â complains Browning, seeing Crestonâs funding slipping away.
âAnd so she ran away?â
âSheâs confused, she doesnât know what sheâs doing or saying, sheâs kinda lost her mind.â
âPerhaps she needs a psychiatrist?â suggests Creston, then questions himself,
What if she recalls too much?
âWhat does she remember?â he asks guardedly.
âHard to tell; all she does is pray.â
âSo, the chances are they would think that she is a little unstable?â
âSir, your wifeâs a nut. You know that.â
âSheâs still my wife,â Creston insists sharply, then comes to a decision. âHire someone⦠a private detective, a pro, moneyâs no object. I want her kept out of jail. Do you understand?â
âYep.â
âAnd I want her found.â
Bliss is still searching, still seeking direction as he prowls the quays and streets of St-Juan-sur-Mer. His manuscript is shrinking daily as he pares off one implausible scene after another while trying to find a point of historical solidity from which to build his ending. His sticking point is that the fortress on the island of Ste. Marguerite, the Fort Royal, wasnât the first prison to house Louis XIVâs famous masked prisoner, and neither was it the last.
The sight of the majestic cliff-top building rising out of the Mediterranean stops Bliss as dawn arrives with a crimson slash across the horizon and the sea shifts from cobalt to azure. âThatâs what I call impressive,â he muses as if the show has been orchestrated just for him.
The smell of hot bread and croissants draws him from the scene to his favourite boulangerie just off the promenade, and as he sidles through the narrow doorway of the ancient bakery, heâs salivating. A blonde-haired woman with her mind on her breakfast nearly butts him as she meets him headfirst in the doorway.
â
Pardonnez-moi,
â he mumbles, stepping back.
She glances up momentarily to reply,
âMerci.â
If their eyes meet for a nanosecond neither notices, and Bliss is already at the counter silently practising his order,
Deux croissants, sâil vous plait
, before he feels a tingle of unease.
âBonjour, monsieur,â
calls Marie, the bakerâs little wife, her beaming grin barely making it over the mounds of warm bread and pastries.
âBonjourâ¦â
he begins, though stops abruptly when he finds his gaze locked onto the spiralling coils of a
pain aux raisins
, his mind spinning as he thinks of the woman.
âMonsieur?â
queries the rotund woman with a smile, but heâs stuck in the swirling coils of the sticky pastry, trying to fathom who she was.
âAnd how is zhe writing,
monsieur?
â
Around and around goes his mind â she must be a local, just a familiar face. Then he stops and catches up to Marie. Disastrous; terrible; feel like giving up. The words are there but they wonât take shape amid his confusion, then a prod from behind jump-starts him.
âSorry. Very good, thanks, coming along nicely.â
Marie smiles in relief as she takes his order and adds a complementary shortbread in celebration of his apparent success. âIt must be very nice to be famous, is it not?â she continues chattily, happy to practise her English.
âI am not famous,â he protests, but she stops him with a floury hand.
âHere, everyone, they say to me, âHow is zhe famous number one English writer today?â And I say, âHe is very good.ââ The she leans in closely to add. âBut I know zhat you are also zhe detective who finds zhe secret of
lâhomme au masque de fer.â
âThe Man in the Iron Mask,â murmurs Bliss as he sits on the quay wall eating breakfast, but his mind is still on the woman in the bakerâs doorway as he looks ahead at the
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