always does. Iâm sympathetic toward him. If I were an indoor cat, I think Iâd break out every now and again too.
I go back to my room and look at myself in the mirror. I do not love this shirt. But I need layers. Maybe I can cover it up. No. I want a cotton shirt. Pink goes well with black. The shirt I really want is in the basement, draped over my motherâs old-fashioned collapsible drying rack.
I donât know why I feel so rushed. Itâs not like Tate is going to be here in ten minutes. But maybe heâll be early. I quicken my pace and go downstairs. As Iâm changing shirts I hear a car tearing up our gravel driveway. Then I hear the sound of footsteps racing up the sidewalk. I stand on a box so I can look out our sunken window. Whoâs at my house? Is Tate early? Did Henry come over? No way! I can see Ruthannâs shoes.
She pounds hard on the metal screen door. Our doorbell is broken, so even if sheâs trying to ring it, her efforts are futile.
âMolly Weller, open the door!â
How can she possibly know Iâm here? I back away from the window and sit down next to the collapsible drying rack.
âWhen Tate comes by to pick you up, I want to talk to him.â
Sheâs nuts. Thatâs not happening.
She opens the creaky screen and pounds on our wood door. Her fists may be small, but theyâre very powerful. Once, I saw her crumple a half-full soda can like it was made out of air.
âI just passed your mom and dad on my way over. You werenât in either car. I know youâre home. Open up.â
Wow, sheâs so observant. I want to point out that I could have been in either car, fully reclined or squished inside the trunk, but that would require me to reveal myself. Maybe thatâs Ruthannâs master plan. Maybe sheâs trying to smoke me out of my hole. I duck my head down.
âOpen this door or I will sideline you on the drill team forever!â she says.
I donât move.
âIâm serious!â
I know sheâs serious, and I consider moving. But then I reconsider.
âMolly Weller, I refuse to be treated this way.â
I figure sheâll stick around for a few more minutes, blow off some steam, and then Iâll pretend like this never happened.
âGod, is that you, Molly? In your basement? Hiding underneath your momâs drying rack?â
I look up. Standing inside my window well, bending over to look through the dirt-crusted glass, is the terrifying face of Ruthann Culpepper.
âWhat are you doing? Have you lost it? Are you having a breakdown?â Ruthann says.
I donât know what to do. I shake my head. Because Iâm not having a breakdown. Not yet.
âCome let me in. We need to talk.â
Oh my god. This is worse than a home invasion. She is not going to ruin my date. It will not happen. I will call whomever I need to prevent this.
âLeave now, or Iâll call nine-one-one!â I yell.
Wow, did I actually just yell that? I sound so hard-core. Too hard-core. Ruthann smashes her hand against the window, tying to make a clear spot, but it just muddies the glass.
âAre you mental or something? You canât call 911 over this.â
Before I can argue either for or against my terrible idea of calling 911, Ruthann starts screaming. I scream too. For no real reason.
âItâs biting me!â she yells.
I stop screaming. Somethingâs biting her? Thatâs weird. Maybe itâs my neighborâs dog, Ralph. Heâs supposed to be on a chain, but heâs an American bulldog, and when it comes to escaping fences and collars, that pooch has proven himself to be a regular Houdini. I decide that itâs not appropriate to let a fellow human being be mauled by my neighborâs dog, so I hurry upstairs to help. I grab our mop as a defensive weapon and swing open the door.
Once I see whatâs actually happening, I feel slightly relieved. Hopkins has leaped
Lee Ann Sontheimer Murphy