manipulation.
âWhatever I can do to help, D. You know that, right? Anything, any time?â
She touched his good hand, and he wrapped his fingers around hers and felt even more ashamed. âThank you. You really are the best.â
Jo took him into her bathroom. She had a whole Hollywood makeup thing going, complete with lightbulbs rimming the mirror. She was still a professional thief, posing as people who had a right to walk into places and wouldnât be suspected of walking out with a few Rolexes in their pockets. She used to be an actress. Still was, actually, just on different stages.
She sat Daniel in front of the mirror and adjusted the height of his chair. âOkay, so what kind of effect are we trying to achieve here?â
âLetâs start with my nose. Can you make it look like it hasnât been broken five times?â
âHow long ago did you take that chimera?â
âAbout an hour.â
âThen you should be good and squishy. Okay, letâs have a go.â
She pressed down on the prominent bump rising from the bridge of Danielâs nose.
âThat ⦠hey, that hurts. A lot.â
â Pobrecito . Changing your shape hurts, sweetie.â
âBut you do it all the time.â
âAnd Iâm a badass so I donât complain.â
âWell, Iâm not a badass. Can you be more gentle?â
âYes. But itâs still going to hurt.â
She pressed her fingertips to Danielâs nose and straightened it. He yelped, but when she was done, his nose looked right.
âThatâs perfect, Jo.â
âI liked it better before. Next?â
âThis scar through my eyebrow ⦠can you shift stuff around to fix it?â
âItâs going to hurt.â
âIâm getting that.â
Daniel flinched and carried on like a baby as Jo worked over his face.
The pain was worth it. After fifteen minutes, Daniel stared in the mirror and the face of his golem-brother, Paul, looked back at him. It was a good face, a less broken face. Or maybe just broken in different ways.
âI look better this way. I should have done this a long time ago.â
âThen you wouldnât be Daniel, and that would be a loss.â
âThatâs funny to hear, coming from you.â
âWhy?â
âBecause, youâre a shape-shifter. Iâd think youâd be telling me that what you are, who you are, doesnât change just because your outer form is different.â
âThat may be true of some people,â Jo said. âMaybe itâs even true of me. But not you. You are your scars. You remember them, and you lug them around like chains. You without your scars? Not Daniel.â
âThatâs okay, I guess. I need to not be me for a while.â
She started trying to tame his tousled hair with a comb. She wasnât gentle, but he let her, because Paul was better groomed than he was.
âI know who youâre trying to be,â she said, working a tangle, âand I donât like it. Thereâs no reason to go North as Paul that isnât incredibly dangerous, and I wish you wouldnât.â
He looked at her reflection in the mirror, then turned to look at her properly. âI donât have much choice, Jo.â
âI know. Youâre doing it for Sam. But still.â
âHow much do you know?â
âAs much as Moth knows. He keeps in touch with his friends, unlike you.â She hit his head with the comb.
âAny professional acting advice for me?â
She resumed the tug-of-war between Danielâs hair and her comb. âYou canât be Paul. But you have to get as close to being him as you can. The new look will help. Actors rely on costume and makeup all the time. But to convince anyone, youâll have to really get inside his head.â
âI donât know if I can do that. Paul was a weird guy.â
âYouâre a weird
Carl Woodring, James Shapiro