there. He has taken the morning that belongs to Agnes, he is up before the others, and he knows everything. There is nothing he doesn’t know. He could keep the morning, if he wanted to, but what can Peter do with the start of a summer day? Sheilah is here, it is a true Sunday morning, with its dimness and headache and remorse and regrets, and this islife. He says, “We have the Balenciaga.” He touches Sheilah’s hand. The children have their aunt now, and he and Sheilah have each other. Everything works out, somehow or other. Let Agnes have the start of the day. Let Agnes think it was invented for her. Who wants to be alone in the universe? No, begin at the beginning: Peter lost Agnes. Agnes says to herself somewhere, Peter is lost.
1963
An Autobiography
I
I TEACH elementary botany to girls in a village half a day’s journey by train from Montreux. Season by season our landscape is black on white, or green and blue, or, at the end of summer, olive and brown, with traces of snow on the mountains like scrubbed-out paint. The village is made up of concentric rings: a ring of hotels, a ring of chalets, another of private schools. Through the circles one straight street carries the tearooms and the sawmill and the stuccoed cinema with the minute screen on which they try to show things like
Ben-Hur
. Some of my pupils seem interested in what I have to say, but the most curious and alert are usually showing off. The dull girls, with their slow but capacious memories, are often a solace, a source of hope. Very often, after I have been on time for children raised to be unpunctual, or have counselled prudence, in vain, to these babies of heedless parents, I remind myself that they have not been sent here to listen to me. I must learn to become the substance their parents have paid for – a component of scenery, like a tree or a patch of grass. I must stop battering at the sand castles their parents have built. I might swear, at certain moments, that all the girls from Western Germany are lulled and spoiled, and all the French calculating, and the Italians insincere, and the Englishimpermeable, and so on, and on; but that would be at the end of a winter’s day when they have worn me out.
At the start of the new term, two girls from Frankfurt came to me. They giggled and pushed up the sleeves of their sweaters so that I could see the reddish bruises. “Tomorrow is medical inspection,” said Liselotte. “What can we say?” They should have been in tears, but they were biting their lips to keep from laughing too much, wondering what my reaction would be. They said they had been pinching each other to see who could stand the most pain. There are no demerits in our school; if there were, every girl would be removed at once. We are expected to create reserves of memory. The girls must remember their teachers as they remembered hot chocolate and after-skiing, all in the same warm fog. I disguised the bruises with iodine, and said that girls sometimes slipped and fell during my outdoor classes and sometimes scratched their arms.
“Merci, Mademoiselle,”
said the two sillies. They could have said
“Fräulein”
and been both accurate and understood, but they are also here because of the French. Their parents certainly speak English, because it was needed a few years ago in Frankfurt, but the children may not remember. They are ignorant and new. Everything they see and touch at home is new. Home is built on the top layer of Ur. It is no good excavating; the fragments would be without meaning. Everything within the walls was inlaid or woven or cast or put together fifteen years ago at the very earliest. Every house is like the house of newly wed couples who have been disinherited or say they scorn their families’ taste. It is easy to put an X over half your life (I am thinking about the parents now) when you have nothing out of the past before your eyes; when the egg spoon is plastic and the coffee cup newly fired porcelain;
Eileen Griffin, Nikka Michaels