After that is a door to a wall cupboard where Julie keeps her clothes.
The bare deal floorboards are stained a shining dark oak colour. A strip of cheap, dark blue carpet lies by the side of the bed. The window looks out onto a small back gardenâa garden shed, square of lawn, carefully tended vegetable patch chock-a-block with plantsâand beyond, over the roofs of terrace houses stepping downwards, to the other side of the valley where some fields, then streets of houses, rise up to the skyline.
The window is open and sun is streaming in, but the curtains are not blowing in a breeze, summertime sounds cannot be heard. Only now do we realize that we are looking at stills. But the noise of a football match being shown on television seeps into the room from next door.
JULIE :Â Â I havenât told you this before. Didnât want to. Couldnât bring myself to, if Iâm honest. But now I have to tell you, I think. Itâs time. Because whatever happens when they take off the bandagesâwhether I can see again or notâ nothing will be the same as before, will it? Canât be.
[ Deep breaths in and out. ]
I think about it a lot. About when the bandages come off. And about the future after that. When we know for sure whatâs left of me. [ Chuckles. ] Not that Iâm any the wiser for thinking about it so much. More confused, if anything. Except, I know some things that werenât decided before will be then. What you are to me, and what I am to you. Thatâll be the important thing the great unwrapping will make meâusâsure about.
You see, dear Nik, what I havenât told you is that for years Iâve thought that I want my life to be all for God.
[ Laughs. ]
I know, I know! But donât give yourself a hernia from hilarity. Lots of girls go through a nunnery phase just the same as they go through having crushes on hockey sticks and horses and pop stars and even on yummy teachers. I know that. But I got over those things before I was fourteen. This is different. The same way itâs different when people decide theyâd like to become doctors or computer programmers or scientists. I want to be a God something. I donât know exactly what kind of something, but something for God.
I was trying to work out what that something would be when you came along. I was looking for the best way. A way that would be right for now, for today, and not a way that used to be right years ago but isnât any longer.
Not that Iâve said anything about it to anyone else. Mum knows, of course, and Dad, and my brother. Oh yes, and Philip Ruscombe. But no one else. I like to be sure of myself before I say anything to other people. And being a God-something isnât the sort of subject people talk about very easily without . . . well, without laughing, I suppose. They find it hard to believe you mean what you say, or that anyone could seriously want to do anything like that these days. So I was quietly sorting it out for myself. Till you came along.
Suddenly there you were, and I couldnât think why I cared. Not at the time. I remember lying in my bath that Saturday afternoon, half of me still smouldering with anger at the pagans, and the other half wondering what on earth it was about you that disturbed me so much. I mean, you arenât especially good looking. Sorry about that! Youâre fairly clever, I suppose, but you arenât a genius. And youâre younger than I am. I donât mean only in years, but in yourself. Youâre still a schoolboy.
So Iâm no fashion plate, and Iâm not even as clever as you, but I do have a job, however lowly, and have had for two years. I feel like a grown-up woman, not a schoolgirl any more. [ Laughs. ] Yes, I know. But everyone can be wrong!
Apart from those things, you were big-headed. All the way home you made fun of everybody else. The leptonic OBD, the kids in the film group, Leonard Stanley,