Free Limitless by Alan Glynn Page A

of the corridor – in the opposite direction from the elevators – there was a large metal door I’d seen earlier, and I ran towards it. The door opened on to the emergency stairs. To the left of the stairs, there was a small area where the garbage chute waslocated, and a concrete alcove with a broom and some boxes in it. I dithered for a second, before deciding to run up the stairs to the next level, and then up to the next level again. There were four or five unmarked cardboard boxes stacked in the alcove. I put the plastic bag in behind these boxes, and without looking back I ran down the stairs again, taking the steps two or three at a time. I stumbled out through the metal door, still running, and back into the corridor.
    With a couple of yards to go, I heard the elevator doors opening, and then a rising tide of voices. I got to the door of the apartment and slipped in. I went as fast as I could down the hallway and into the living-room – where of course at the shock of seeing Vernon again my heart lurched violently sideways.
    Totally out of breath now, I stood in the middle of the room, panting, wheezing. I put my hand on my chest and leant forward, as though trying to ward off a coronary. Then I heard a gentle tap on the door outside and a circumspect voice saying, ‘Hello … hello,’ – a pause, and then – ‘police.’
    ‘Yep,’ I said, my voice catching a little between breaths, ‘in here.’
    Just to be busy, I picked up the suit I’d dropped earlier, and the bag with the breakfast in it. I placed the bag on the glass table and the suit on the near side of the couch.
    A young cop in uniform, about twenty-five years old, appeared from the hallway. ‘Excuse me,’ he said, consulting a tiny note-book, ‘… Edward Spinola?’
    ‘Yes,’ I said, feeling guilty all of a sudden – and compromised, and like a bit of a fraud, and a low-life – ‘yes … that’s me.’ 

Chapter [ 6 ]
    O VER THE NEXT TEN OR FIFTEEN MINUTES , the apartment was invaded by what seemed like a small army of uniformed officers, plainclothes detectives and forensics technicians.
    I was taken aside – over to the kitchen area – and quizzed by one of the uniforms. He took my name, address, phone number and asked me where I worked and how I knew the deceased. As I answered his questions, I watched Vernon being examined and photographed and tagged. I also watched two plainclothes guys hunkering down beside the antique bureau, which was still on its side, and sifting through the papers on the floor all around it. They passed documents and letters and envelopes to each other, and made comments that I couldn’t hear. Another uniform stood by the window talking into his radio, and another one again was in the kitchen looking through the cupboards and the drawers.
    There was a dream-like quality to the way the whole process unfolded. It had a choreographed rhythm of its own, and even though I was in it, standing there answering questions, I didn’t really feel a part of it – and especially not when they zipped Vernon up in a black bag and wheeled him out of the room on a gurney.
    A few moments after this happened, one of the plainclothes detectives came over, introduced himself to me and dismissed the uniformed officer. His name was Foley. He was medium height, wore a dark suit and a raincoat. He was balding and overweight. He fired some questions at me, stuff about when and how I’d found the body, which I answered. I told him everything, except the part aboutthe MDT. As evidence to back up what I’d been saying, I pointed at the dry-cleaned suit and the brown paper bag.
    The suit was laid out flat on the couch and was just up from where Vernon’s body had been. It was wrapped in plastic film, and looked eerie and spectral, like an after-image of Vernon himself, a visual echo, a tracer. Foley looked at the suit for a moment, too, but didn’t react – clearly not seeing it the way I saw it. Then he went over to the glass