Free Orientation by Daniel Orozco Page A

snaps his wrist, flicks his finger, fires his cigarette butt. It traces an arc through the bars of the gate and lands in a burst of embers on the chest of the biggest guard. Direct hit. Beautiful. The guard leaps off the Datsun, curses, rushes the gate. But what can he do? Gallardo smiles, turns around, and waggles his ass. The guard reaches down and grabs his crotch. A piercing high-pitched whistle disrupts their pas de deux. From the pathway into the gardens, the Presidente-in-Exile is waving his folded paper impatiently: Let’s go. The driver kicks the hose into the bushes, slips into his coat, gets in the Mercedes and starts it up. The bodyguards squeeze into the Datsun and back the car out of the way. The gates glide open. The Mercedes exits. The Datsun follows. The gates close. Overhead, security cameras mounted atop thirty-foot poles turn slowly, taking in the perimeter with a ho-hum weariness.
    In the backseat, the Presidente-in-Exile excavates his ear canal with the locust-wood toothpick. Eyes closed, he grunts blissfully. Out his passenger window, a sun-strobed flip-book of Asunción—whitewashed brick walk-ups along tree-lined avenues, nannies pushing prams, chipa vendors pushing carts, barefoot women with towers of folded laundry on their heads, white-suited old men walking tiny old dogs, sanitation workers in yellow coveralls sweeping dirt into the gutters. And everywhere, the guano-crowned statuary of the Republic’s military heroes.
    By the time they reach the Plaza of the Chaco War, the señor ’s face is buried in the Times and Gallardo has shaken the bodyguards. He’s not supposed to do this. It pisses off the Minister of Security. But Gallardo gets bored, and it’s fun, although too easy now since Stroessner’s monkeys have been downgraded to that piece-of-shit Datsun. And besides, the señor doesn’t care. Gallardo negotiates the traffic circle—an apocalyptic teem of limos and buses and taxicabs, dray trucks and trailer rigs, and the intrepid horse-drawn wagon. On Avenida Mariscal López, he slows the Mercedes for the left onto Calle America, one of the intersections in the city with a traffic signal. The lights are his, and he would have made it but for a turquoise blue Chevy pickup that backs out of a driveway and lurches to a halt in the street. Gallardo hits the brakes. He sighs, gives his horn a toot. The truck that cuts him off is shotgunned with mud, a ferrous earth of unsettling redness. Gallardo remembers his first look at Paraguay, peering out the porthole of the Learjet that brought them here, the Gran Chaco below him, the high desert pan that makes up the western half of this country. Flat and featureless and still, it burned red under the sun. As far as the eye could see, an ocean of blood in its doldrums. It was another world. His world now, he thought.
    The truck does not move. Gallardo toots again, and at this moment—seconds before the rocket hits the Mercedes—he apprehends two nearly simultaneous events. The first, he sees: the driver of the truck—a woman, a redhead, maybe—ducking down out of sight. And the second, he hears, even with the armored-glass windows rolled up and the AC turned up full: a brief and powerful susurration in the air, like a sudden wind in the trees or the exhalation of a thousand breaths. It is the last thing the Presidente-in-Exile’s driver hears.
    One block west, the red Datsun accelerates out of its turn onto Mariscal López just as a fireball rises up ahead, followed by the concussion waves of the explosion. The driver of the Datsun leans on the horn, punches the gas pedal, cuts through traffic. The man next to him pounds the dashboard. The guards in the car draw their pistols, unlock and crack open the doors. They are screaming and cursing. They curse God. They curse the Minister of Security for replacing their Ford Falcons and Gran Torinos with fucking Datsuns, and curse their own mothers for bringing them into a world of bureaucrats and