and reached up to squeeze his shoulder.
âThe war?â Nick asked, though the question wasnât relevant to his investigation.
The man looked at him with eyes gone suddenly blank, focused on another time and place.
âVicksburg,â Matthews finally said.
âBad, that one,â said Nick. âThe Wilderness.â
Matthews returned to the here and now. âYou there?â
âI was.â And he could feel the air, hear the sounds of the battlefield, smell it still. The damp. The stink of gunpowder and spilled guts. The acrid stench of fear.
âLost a cousin at that one,â Matthews said quietly.
âI lost my closest friend.â A rush of anger swept over him. Heâd never known a better man than Jack Hutchinson. A much better man than his cousin Frank. It should be Jack who was alive, and his cousin whoâd bled out his life on the trampled dirt beneath a canopy of shattered trees. But that wasnât how life worked. And Nick had spent the intervening years learning and relearning the unfairness of it all.
And you, Meg. To have lost you, too, Meg . . .
But his sister couldnât be recovered, either, and Nick had become a cop so that he could wrench some justice out of this unforgiving and heartless world.
âToo many men died. Too many good men,â said Matthews.
He shook his head somberly and dropped his hand, forming a fist to thump against his leg. At the army hospital, Nick had once seen a soldier, his leg sawed off and his head swathed in so many bandages that only one staring eye was uncovered, do something similar. They all had their tics, the pain and terror seeking a way out of their wounded bodies.
âSo how about you tell me the truth, Mr. Matthews, for the sake of all those good men?â Nick asked. âDid you return last night to check if you knew the man youâd unearthed? Take your key, unlock the door, and go down to the cellar for another peek?â
âHeck no!â Matthews reached into the pocket of his coatand removed a large key. He tossed it to Nick. âItâs a key to the offices. You can bet I wonât ever be going back there to return it.â
âYou wonât be going back there to return it because youâre not working there anymore.â
Matthews cursed. âI donât know nothing. And tell John Kelly that.â
âWhy should
I
tell him that?â asked Nick. âHeâs your brotherin-law.â
âDonât think Iâll be talking to him ever again.â
Nick thought that was likely true.
He examined the steel skeleton key in his hand. âWho gave you this?â
âJohn, of course.â
So John Kelly had a key. That was one. And apparently Dan Matthews was permitted to borrow it. That made two. âWho else has keys to the offices?â he asked, setting it on his desk.
âThe partners, of course. I donât know who else.â
Three, four, and five.
âDoes Kelly lend this keyââNick tapped itââto you, because youâre his brother-in-law and supposedly trustworthy?â
âHeâll give it to whoeverâs working late that night.â
Did Martin know? He seemed too prudent to allow any of the workers to have use of a key to his offices. âSeems awfully trusting of him.â
The other man shrugged.
âMatthews, Iâm going to ask you again.â Nick leaned forward. âDid you know the fellow you found?â
He hesitated. âI canât be sure.â
âWhat if I told you it was Virgil Nash?â
A bead of sweat broke on Matthewsâ upper lip, and his eyes widened. Not with astonishment, though, but with alarm. âShit.â
âThat name bother you?â
âHonest to God, I only heard of the fella. Heard rumors around town that he caused all sorts of trouble for some of the miners back in Nevada, but I never did know him myself.â
âWhat sort of